Captain Jack White DSO (1879 1946) is a fascinating yet neglected figure in Irish history. Son of Field Marshal Sir George White V.C., he became a Boer war hero, and crucially was the first Commandant of the Irish Citizen Army. One of the few notable figures in Ireland to declare himself an anarchist, he led a remarkable life of action, and was a most unsystematic thinker. This is a long overdue assessment of his life and times. Leo Keohane vividly brings to life the contradictory worlds and glamour of this mercurial figure, who knew Lord Kitchener, was a dinner companion of King Edward and the Kaiser, who corresponded with H.G. Wells, D.H. Lawrence and Tolstoy, and shared a platform with G.B. Shaw, Conan Doyle, Roger Casement and Alice Stopford Green. The founder of the Irish Citizen Army along with James Connolly, White marched (and argued) with James Larkin during the 1913 Lockout, worked with Sean O Casey, liaised with Constance Markievicz and socialised with most of the Irish activists and literati of the early twentieth century. A man who lived many lives, White was the ultimate outsider beset by divided loyalties with an alternative philosophy and an inability to conform.

Captain Jack White (1879-1946), co-founder of the Irish Citizen Army during the Irish Transport Workers' Union strike came paradoxically from Protestant Ascendancy stock and won distinction in the British Army in the Boer War. He arrived in Dublin at a key period in Irish history, the Dublin Lock-Out of 1913 where the Dublin Employer's Federation had locked workers out of their jobs in an attempt by employers to break the power of the Jim Larkin led Trade Unions. There he met James Connolly, became a socialist and used his military skills to set up the Irish Citizen Army. In this modest, but rivetting autobiography, he describes all these events (starting with the Boer War) in detail. White was imprisoned for sedition after the Easter 1916 Rising, but undaunted went off to Spain in 1936, where he was active against Franco, and made the (logical!) conversion to anarchism. Don't be put off by the high price, this is worth twice that amount!

The boys from King Jack and the Dragon are back in this swashbuckling pirate adventure with pictures by the New York Times bestselling illustrator of Ten Little Fingers and Ten Little Toes Jack, Zack, and Caspar are building a ship—on the beach, out of sand. When they set sail on their imaginary adventure, Jack spies an enemy pirate ship nearby. They chase after the pirates, but a storm wrecks their ship and sweeps them up on a desert island. The island isn't totally deserted, though—their pirate enemies are there too. Just as the boys discover the pirates' treasure (an array of delicious desserts), the pirates (their parents) capture them. But these pirates are friendly—they're willing to share the treasure, and they throw in some ice cream just for good measure! Perfect for storytime read-alouds, this picture book is just right for fans of Three Bears in a Boat, How I Became a Pirate, and We’re Going on a Bear Hunt.

Familia,which was first published in 1985, aims to provide informed writing on sources and case studies relating to that area where Irish history and genealogy overlap with mutual benefit. Members of the Foundation's Guild receiveFamiliaand theDirectory of Irish Family History Researchas part of the return on their annual subscription.

A deep and indestructible friendship is in danger of being shattered by a tragic accident.A strange dream, however, may be the key to its salvation.

This book asks how English authors of the early to mid twentieth-century responded to the nationalist revolution in neighbouring Ireland in their work, and explores this response as an expression of anxieties about, and aspirations within, England itself. Drawing predominantly on novels ofthis period, but also on letters, travelogues, literary criticism, and memoir, it illustrates how Irish affairs provided a marginal but pervasive point of reference for a wide range of canonical authors in England, including Wyndham Lewis, Virginia Woolf, D.H. Lawrence, Graham Greene, and EvelynWaugh, and also for many lesser-known figures such as Ethel Mannin, George Thomson, and T.H. White.The book surveys these and other incidental writers within the broad framework of literary modernism, an arc seen to run in temporal parallel to Ireland's revolutionary trajectory from rebellion to independence. In this context, it addresses two distinct aspects of the Irish-English relationship asit features in the literature of the time: first, the uneasy recognition of a fundamental similarity between the two countries in terms of their potential for violent revolutionary instability, and second, the proleptic engagement of Irish events to prefigure, imaginatively, the potential course ofEngland's evolution from the Armistice to the Second World War. Tracing these effects, this book offers a topical renegotiation of the connections between Irish and English literary culture, nationalism, and political ideology, together with a new perspective on the Irish sources engaged by Englishliterary modernism.