Alex MacLean was the inspiration for the title character in Jack London's bestselling novel The Sea-Wolf. Originally from Cape Breton, MacLean sailed to the Pacific side of North America when he was twenty-one and worked there for thirty-five years as a sailor and sealer. His achievements and escapades while in the Victoria fleet in the 1880s laid the foundation for his status as a folk hero. But this biography reveals more than the construction of a legend. Don MacGillivray opens a window onto the sealing dispute brought the United States and Britain to the brink of war, with Canadian sealing interests frequently enmeshed in espionage, scientific debate, diplomatic negotiations, and vexing questions of maritime and environmental law.

Background[edit] The personal character of the novel's antagonist "Wolf" Larsen was attributed to a real sailor London had known, Captain Alex MacLean.[3] According to London himself, "much of the Sea-Wolf is imaginary development, but the basis is Alexander McLean".[4] Captain Alex MacLean, or McLean,[5] was born May 15, 1858 in East Bay, Nova Scotia. He did sail mostly in the Pacific North West with his brother, Captain Dan MacLean. MacLean was at one time the Sheriff of Nome, Alaska. The MacLean Captains maintained their ties to Cape Breton Island despite having spent much of their lives sailing the Pacific Coast and do have living descendants.

A swashbuckling narrative of treachery and obsession involving pirates, fur seals, competing governments, and near war. "In Roar of the Sea, [Deb Vanasse] writes with verve and dramatic impact, reconstructing the narrative of Elliott's tenacious crusade in a way that will transport the reader back to the cacophonous seal rookeries, to the bloody, blubber-slicked decks of the sealing ships, and to the elegant meeting rooms of the nation's capital. While bringing deserved attention to Elliott for his wildlife conservation work in the late 19th and early 20th centuries, Vanasse ends with a sobering challenge: those seal rookeries on the Pribilof Islands are now facing new human-caused threats—and could use 21st century advocates." —The Daily Astorian/Coast Weekend "Now comes a fascinating, full history of the fur seal story, pitting artist and advocate Henry Wood Elliott against the most famous of the seal pirates, a man named Alex MacLean, and a whole host of ill-informed and corrupt business and political titans. Deb Vanasse, a former Alaskan who now lives in Oregon and is the author of many previous books—including Wealth Woman, about the Klondike gold rush—has done extensive research to illuminate the historical characters, the difficulties of reaching an international agreement to protect wildlife, and the significance of that treaty today." —Anchorage Daily News Over a century ago, treachery in Alaska's Bering Sea twice brought the world to the brink of war. The US seized Canadian vessels, Great Britain positioned warships to strike the US, and Americans killed Japanese pirates on US soil—all because of the northern fur seals crowded together on the tiny Pribilof Islands. The herd's population plummeted from 4.7 million to 940,000 in the span of eight years while notorious seafarers like Alex MacLean (who inspired Jack London's The Sea-Wolf) poached indiscriminately. Enter an unlikely crusader to defend the seals: self-taught artist and naturalist Henry Wood Elliott, whose zeal and love for the animals inspired him to go against all odds and take on titans of the sea. Winning seemed impossible, and yet Elliott managed to expose corruption and set the course for modern wildlife protections that are all the more relevant today as the world grapples with mass extinction. Carefully written and researched, Roar of the Sea reveals the incredible hidden history of how one lone activist existing in the margins prevailed against national governments and corporate interests in the name of wildlife conservation.

The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.