Sketches the development of the Dutch colony at the Cape in the eighteenth century through the lives of eighteen individuals and families, primarily for the benefit of non-specialist and non-South African readers

This volume explores how the Cape Colony was imagined as a political community by considering a variety of writers, from major European literati and intellectuals (Camoes, Southey, Rousseau, Adam Smith), to well-known travel writers like Francois Levaillant and Lady Anne Barnard, to figures on the margins of colonial histories, like settler rebels, slaves and early African nationalists. Complementing the analyses of these primary texts are discussions of the many subsequent literary works and histories of the Cape Colony.

This project overall attempts to recast Appalachian literature in terms of a ‘lost tradition’ of texts that are generally out-of-print though of central importance to understanding the history of the region and its current environmental and cultural challenges. The epilogue will also consider the way that ecological-based literary criticism offers a vital language for how antebellum travel writers sought to frame the region from a 19th-century environmental point of view. The book aims to resituate the field of Appalachian Studies to an earlier historic genesis in the 19th-century and bring to light several books which have received scant scholarly attention in the canon of Appalachian and American literature, respectively. The book centers on the argument that mid-19th-century travel writers going through or from the Appalachian region drew on familiar versions of 18th-century European, mainly British, landscape aesthetics that would help make the readerly experience less alien to their erudite regional and Northern audiences. These travel writers, such as Philip Pendleton Kennedy and David Hunter Strother, consciously appropriated such aesthetic tropes as the pastoral as a way to further dramatic the effect in their nonfiction accounts of Appalachia, while the reader could find such references comforting as they considered whether to domesticate or tour the Appalachian region.

In a compelling example of the cultural history of South Africa, Robert Ross offers a subtle and wide-ranging study of status and respectability in the colonial Cape between 1750 and 1850. His 1999 book describes the symbolism of dress, emblems, architecture, food, language, and polite conventions, paying particular attention to domestic relationships, gender, education and religion, and analyses the values and the modes of thinking current in different strata of the society. He argues that these cultural factors were related to high political developments in the Cape, and offers a rich account of the changes in social identity that accompanied the transition from Dutch to British overrule, and of the development of white racism and of ideologies of resistance to white domination. The result is a uniquely nuanced account of a colonial society.