Eighty-five black-and-white photos and accompanying essays share the beauty of the canyons and mesas of the Colorado Plateau and the history of the resourceful inhabitants.

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.

A collection of poetry and lyrical writings by Native American poet Laura Tohe celebrating Canyon de Chelly, accompanied by full-color photographs.

In 1879 a drunken hoard of silver miners raided a Cheyenne village while the tribe's warriors hunted buffalo. A small band of young braves, not yet old enough to join the hunt, escaped and rode for help. Their efforts failed when they were discovered by the raiders, who ran them over a cliff along with all the tribe's horses that had been left behind. When the warriors returned and found the devastation, the tribe's medicine man, Black Cloud, placed a curse on the site. A century and a half later, a scandalous Top Secret project is under construction in the same Colorado wilderness. Bryan Reynolds discovers that its roots lie in the same greed, corruption, and exploitation of the Earth that precipitated the curse. But before he can expose what he's found, he's killed in a suspicious accident that his wife, Sara, miraculously survives. Her memory of where they were or what they'd discovered, however, is gone. Neither Sara nor Bryan's life-long Cheyenne friend, Charlie Littlewolf, will rest until they find out what Bryan discovered that resulted in his death. Charlie is acutely aware that the only way to solve the mystery is through connecting with the grandfather spirits. To do so he must return to his roots and the teachings of his medicine man grandfather. His journey back to the Cheyenne way includes ancient rituals and ceremonies that guide him and Sara to the answers they seek. As a descendant of Black Cloud, his destiny is deeply embedded in the fulfillment of the original curse, which was triggered by what Bryan discovered. Charlie's quest has only just begun. A government conspiracy lies at the core of the story, though this first volume of the trilogy concentrates on Sara and Charlie discovering what Bryan knew that got him killed. Modern man's disregard for the environment, which conflicts with Native American philosophies of animism and of honoring the Earth, plays an important part. Past pollution caused by 19th century mining is inherent to the story as well as contemporary activities such as fracking. Various paranormal and supernatural elements including detailed descriptions of Cheyenne rituals and ceremonies such as the sacred red pipe, ceremonial fasting, and the sweat lodge are included. The Cheyenne's name for the Great Spirit is Maheo, who is referred to throughout. There are numerous other-worldly situations included, based on the experiences of the story's Cheyenne co-author. While the story is fictitious, these depictions are authentic. Modern technology plays a significant role in juxtaposition to traditional Native American elements. Astronomy and the ancient art and science of western astrology play roles as well in helping direct Sara and Charlie to the answers they need. In essence this saga's theme includes the collision of two disparate cultures and their respective attitudes toward the Earth, one of which is honor, the other exploitation. These complexities are what expanded this story into a trilogy. Native American history is touched upon, but will be covered in greater detail in subsequent volumes.

First Published in 2000. The fight to have the American legal system recognize Native American religions has taken many forms, from the confrontation over Indian usage of eagle feathers and the ingestion of peyote in religious ceremonies to the right of students to have traditional Indian hair styles while attending public schools. It was thought that the passage of the American Indian Religious Freedoms Act of 1978 would alleviate these problems, but Supreme Court interpretations have essentially eviscerated this law. In addition to these issues, the articles in this collection address the ongoing conflict between Native Americans and museums and states over who has rights to the skeletal remains and burial objects that have been illegally recovered throughout the U.S.

For more than a century, Ghost Ranch has attracted people of enormous energy and creativity to the high desert of northern New Mexico. Occupying twenty-two thousand acres of the Piedra Lumbre basin, this fabled place was the love of artist Georgia O’Keeffe’s life, and her depictions of the landscape catapulted Ghost Ranch to international recognition. Building on the history of the Abiquiu region that she told in Valley of Shining Stone, Ghost Ranch historian Lesley Poling-Kempes now unfolds the story of this celebrated retreat. She traces its transformation from el Rancho de los Brujos, a hideout for legendary outlaws, to a renowned cultural mecca and one of the Southwest’s premier conference centers. First a dude ranch, Ghost Ranch became a magical sanctuary where the veil between heaven and earth seemed almost transparent. Focusing on those who visited from the 1920s and ’30s until the 1990s, Poling-Kempes tells how O’Keeffe and others—from Boston Brahmin Carol Bishop Stanley to paleontologist Edwin H. Colbert, Los Alamos physicists to movie stars—created a unique community that evolved into the institution that is Ghost Ranch today. For this book, Poling-Kempes has drawn on information not available when Valley of Shining Stone was written. The biography of Juan de Dios Gallegos has been enhanced and definitively corrected. The Robert Wood Johnson (of Johnson & Johnson) years at Ghost Ranch are recounted with reminiscences from family members. And the memories of David McAlpin Jr. shed light on how the Princeton circle that included the Packs, the Johnson brothers, the Rockefellers, and the McAlpins ended up as summer neighbors on the high desert of New Mexico. After Arthur Pack’s gift of the ranch to the Presbyterian Church in 1955, Ghost Ranch became a spiritual home for thousands of people still awestruck by the landscape that O’Keeffe so lovingly committed to canvas; yet the care taken to protect Ghost Ranch’s land and character has preserved its sense of intimacy. By relating its remarkable story, Poling-Kempes invites all visitors to better appreciate its place as an honored wilderness—and to help safeguard its future.