Neruda's masterpiece epic poem about the history of a continent and its people.

Exploring lives lived, written and narrated in and from the Global South, the far South and the ultimate South, Antarctica, this book asks how life writing from southerly compass points impact both how we understand and read life narratives, and ultimately how we perceive our planet. Southern geographies, histories and lives have often been overlooked and defined by northern perspectives; Life Writing and the Southern Hemisphere redresses this North/South alignment in its critical examination of life stories, memoirs, biographies and autobiographies from the southern hemisphere, providing a countervailing and alternative perspective that will unsettle, challenge and enrich the imaginative norms that inform life writing studies. From Tierra del Fuego and Patagonia in South America, through southern Africa, to Australia and New Zealand and as far down as Antarctica, this collection brings together writers and scholars in the oceanic humanities, postcolonial, Global South and polar studies, and presents works on human, animal and plant life captured in words, music, performance, visual arts and photography. Interdisciplinary and vast in its comparative range, Life Writing and the Southern Hemisphere convenes a diversity of perspectives and positions that demonstrate that the south has rich internal knowledge sources of its own, allowing us to better conceptualize the planet 'from below'.

Originally published: London: Allen Lane, an imprint of Penguin Books, 2021.

This book examines U.S.–Latin American relations from an historical, contemporary, and theoretical perspective. By drawing examples from the distant and more recent past—and interweaving history with theory—Williams illustrates the enduring principles of International Relations theory and provides students the conceptual tools to make sense of inter-American relations. It is a masterful guide for how to organize facts, think systematically about issues, weigh competing explanations, and confidently draw your own conclusions regarding the past, present, and future of international politics in the region.

Teen violence, bullying and the burning quest to fit in are presented in the poems of four unforgettable high school students: Natalie, Kyle, Tricia, Miguel. Their stories unfold in this explosive book, told in free verse. A story of teen angst like no other, it is based on fictional characters but is rooted in the realities of the teen experience. When Natalie moves to a new high school she befriends three unwitting victims into her spider-web of manipulations, lies and deceit. Through the poetry and assignments of an English class we glimpse the world of the four teens. Natalie, whose alcoholic parents, years of neglect and ultimate rape by her father’s friend have shaped her into a cruel and manipulative teen; Tricia, dealing with her blended family, is drawn into Natalies’ forbidden world of partying and rebellion; Kyle, a would-be musician, is in love with Tricia; and Miguel who lusts for Natalie while hiding the secrets of his family. The story weaves us through their poetry, their lives and culminates at a party where the four lives fishtail out of control. English class will never be the same.

In Transversal Ecocritical Praxis: Theoretical Arguments, Literary Analysis, and Cultural Critique, Patrick D. Murphy, Ph.D, utilizes ecocriticism and ecofeminism to develop his concept of transversal practice: an interdisciplinary combination of theory and applied criticism. He begins by explaining the necessity for cutting across disciplinary boundaries of all kinds in order to address the ecological dimensions of culture and literature. The dialogical foundation of this orientation is elaborated through a consideration of the theories of Mikhail Bkahtin, particularly in terms of the ethical responsibilities of the reader and critic. Murphy then takes up issues of identity and subject formation in relation to genetics, embodiment, and selfhood. These same issues play out in the history of the aesthetic category of the sublime, which the author critiques from an ecofeminist perspective. Following that, he turns attention to cultural issues of consumption, both at home and internationally, looking particularly at postcolonial literature and forms of resistance to globalizations and agricultural land grabs. Resistance and postcolonial literature is further analyzed through consideration of two book-length Latin American poetic sequences, one by Pablo Neruda and the other by Ernesto Cardenal. Switching from works focused on the present, Murphy turns his attention then to how these themes play out in the future oriented worlds of science fiction. He concludes with two chapters that combine ecocriticial cultural critique and economic analysis in studies of the destructive role of megadams, particularly in Asia, and the impact of the combined threats of peak oil and climate change on one island's tourist economy. The conclusion contains a discussion of further drivers of future ecocritical analysis. Traversing a wide range of examples, literary, cultural and economic, this work fleshes out the benefits of an ethically grounded interdisciplinary ecocriticism.

One of the leading figures in Latin American folk music and art during her lifetime, Violeta Parra was a vital force in the artistic, musical, visual, cultural, and social cultural production of the Chilean 1960s. Fifty years after her death, she continues to deeply influence artists of the present day. This book revisits Parra’s work and legacy to illustrate her global impact across artistic and political boundaries. Contributors offer multi-disciplinary perspectives that delineate how Parra contributed to shaping and—at the same time—antagonizing, societal processes in mid-20th century Chile.