The current volume comprises eighteen chapters dealing in depth with Martin Codax's work and the Vindel Parchment from five basic perspectives: literature, linguistics, codicology and ecdotics, music and history. The articles are in English, Spanish, Italian, Portuguese, or Galician, with English summaries.

In Culture and Society in Medieval Galicia, twenty-three international authors examine Galicia’s changing place in Iberia, Europe, and the Mediterranean and Atlantic worlds from late antiquity through the thirteenth century. With articles on art and architecture; religion and the church; law and society; politics and historiography; language and literature; and learning and textual culture, the authors introduce medieval Galicia and current research on the region to medievalists, Hispanists, and students of regional culture and society. The cult of St. James, Santiago Cathedral, and the pilgrimage to Compostela are highlighted and contextualized to show how Galicia’s remoteness became the basis for a paradoxical centrality in medieval art, culture, and religion. Contributors are Jeffrey A. Bowman, Manuel Castiñeiras, James D'Emilio, Thomas Deswarte, Pablo C. Díaz, Emma Falque, Amélia P. Hutchinson, Amancio Isla, Henrik Karge, Melissa R. Katz, Michael Kulikowski, Fernando López Sánchez, Luis R. Menéndez Bueyes, William D. Paden, Francisco Javier Pérez Rodríguez, Ermelindo Portela, Rocío Sánchez Ameijeiras, Adeline Rucquoi, Ana Suárez González, Purificación Ubric, Ramón Villares, John Williams †, and Roger Wright.

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

For many in the Middle Ages, pilgrimages were seen to represent a clear risk of moral and religious perdition for women, and they were strongly discouraged from making them; this exhortation would have been universally disseminated and generally followed, except, of course, in the case of the virtuous ’extraordinary women’, such as saints and queens. Women and Pilgrimage in Medieval Galicia represents an analysis of the social history of women based on documentary sources and physical evidence, breaking away from literary and historiographical stereotypes, while at the same time contributing to a critical assessment of the myth that medieval women were kept hidden away from the world. As the chapters here show, women - and not only those ’extraordinary women’, but also women from other social strata - became pilgrims and travelled the paths that led from their homes to the most important Christian shrines, especially - although not exclusively - Jerusalem, Rome and Santiago de Compostela. It can be seen that medieval women were actively involved in this ritualistic expression of devotion, piety, sacrifice or penitence. This situation is thoroughly documented in this multidisciplinary book, with emphasis both on the pilgrimages abroad from Galicia and on the pilgrimages to the shrine of St James at Compostela.