"When was the last time you felt this comfortable in a relationship?" -- An ad for sneakers "You can love it without getting your heart broken." -- An ad for a car "Until I find a real man, I'll settle for a real smoke." -- A woman in a cigarette ad Many advertisements these days make us feel as if we have an intimate, even passionate relationship with a product. But as Jean Kilbourne points out in this fascinating and shocking exposé, the dreamlike promise of advertising always leaves us hungry for more. We can never be satisfied, because the products we love cannot love us back. Drawing upon her knowledge of psychology, media, and women's issues, Kilbourne offers nothing less than a new understanding of a ubiquitous phenomenon in our culture. The average American is exposed to over 3,000 advertisements a day and watches three years' worth of television ads over the course of a lifetime. Kilbourne paints a gripping portrait of how this barrage of advertising drastically affects young people, especially girls, by offering false promises of rebellion, connection, and control. She also offers a surprising analysis of the way advertising creates and then feeds an addictive mentality that often continues throughout adulthood.

That the Beatles were an unprecedented phenomenon is a given. In Can’t Buy Me Love, Jonathan Gould explains why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise. Nearly twenty years in the making, Can’t Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. Beginning with their adolescence in Liverpool, Gould describes the seminal influences––from Elvis Presley and Chuck Berry to The Goon Show and Alice’s Adventures in Wonderland––that shaped the Beatles both as individuals and as a group. In addition to chronicling their growth as singers, songwriters, and instrumentalists, he highlights the advances in recording technology that made their sound both possible and unique, as well as the developments in television and radio that lent an explosive force to their popular success. With a musician’s ear, Gould sensitively evokes the timeless appeal of the Lennon-McCartney collaboration and their emergence as one of the most creative and significant songwriting teams in history. Behind the scenes Gould explores the pivotal roles played by manager Brian Epstein and producer George Martin, credits the influence on the Beatles’ music of contemporaries like Bob Dylan, Brian Wilson, and Ravi Shankar, and traces the gradual escalation of the fractious internal rivalries that led to the group’s breakup after their final masterpiece, Abbey Road. Most significantly, by chronicling their revolutionary impact on popular culture during the 1960s, Can’t Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II. From the Beats in America and the Angry Young Men in England to the shadow of the Profumo Affair and JFK’s assassination, Gould captures the pulse of a time that made the Beatles possible—and even necessary. As seen through the prism of the Beatles and their music, an entire generation’s experience comes astonishingly to life. Beautifully written, consistently insightful, and utterly original, Can’ t Buy Me Love is a landmark work about the Beatles, Britain, and America.

He can't buy his way out of trouble this time?Housekeeper-slash-entrepreneur Ella Bradley prides herself on being ready for anything. After all, with a father who died-and lied to her-and a stepmom and stepsister who despise her, she has no one else to depend on. But on the biggest night of her life, she's unprepared to be trapped in an elevator with the man of her dreams.Wealthy prince-to-a-fortune Adrian Vassos wants nothing more than to shed his reputation as a party boy and prove that he is a savvy businessman. Even, a gentleman. But when he's trapped with a woman who knows his reputation but not his face, he gives into the temptation to be someone else-and lies.When serendipity brings them together again-this time to work off community service-can their combined sentences spark a new ending? Maybe?if Adrian's lies don't find him out. Again.The magic of Deep Haven enchants in this modern-day Cinderella story.

Should we pay children to read books or to get good grades? Should we allow corporations to pay for the right to pollute the atmosphere? Is it ethical to pay people to test risky new drugs or to donate their organs? What about hiring mercenaries to fight our wars? Auctioning admission to elite universities? Selling citizenship to immigrants willing to pay? In What Money Can't Buy, Michael J. Sandel takes on one of the biggest ethical questions of our time: Is there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets? In recent decades, market values have crowded out nonmarket norms in almost every aspect of life—medicine, education, government, law, art, sports, even family life and personal relations. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society. Is this where we want to be?In his New York Times bestseller Justice, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes an essential discussion that we, in our market-driven age, need to have: What is the proper role of markets in a democratic society—and how can we protect the moral and civic goods that markets don't honor and that money can't buy?

"Mary Larkin was hard at work as the office manager at the Green Mountain Country Store when Cameron Murphy brought her dad, Patrick, in to visit ... Mary enjoys her predictable, satisfying life in Butler. If it's a little lacking in excitement, well, that's okay with her. But after meeting Patrick and getting to know him better at his daughter's wedding, Mary is intrigued by the well-known, sexy billionaire businessman. Patrick is equally intrigued. For the first time since he suddenly lost his wife thirty years ago, he has met a woman who makes him feel less lonely, and all he wants is more of his Sweet Mary from Vermont. Flirty phone calls become a weekend away together that takes his relationship with Mary to the next level. But with six hours and two vastly different lives standing between them, can Mary and Patrick find happily ever after together? And after telling her father to keep his hands and everything else off Mary, will Cameron approve of her father's new romance?"--

Discusses the advertising establishment, revealing what advertisers know about human nature and how they exploit it to make a profit.

Discusses conflicting evidence regarding the impact of women's access to credit on women's empowerment from studies of the Grameen Bank and BRAC (Bangladesh Rural Advancement Committee) credit programme. Based on general interviews with 305 loanees in Mymmensingh and 391 in Faridpur and 50 semi-structured interviews with females loanees and 20 with male loanees, examines the impact of credit interventions by the Small Enterprise Development Project on household relations and women's empowerment.