Canons by Consensus is first systematic analysis of American literature textbooks used by college instructors in the last century.

The contents of this book cover what a Canon is and why it matters, the Canon backstory, modern Canons, factors that make a work Canonical, the literary Canon, and much more.

Case studies that counter the idea of a transcendent art canon by demonstrating that the content of any and every canon is historically and culturally specific.

For many years now, the topic of the New Testament canon has been the main focus of my research and writing. It is an exciting field of study that probes into questions that have long fascinated both scholars and laymen alike, namely when and how these 27 books came to be regarded as a new scriptural deposit. But, the story of the New Testament canon is bigger than just the "when" and the "how". It is also, and perhaps most fundamentally, about the "why". Why did Christians have a canon at all? Does the canon exist because of some later decision or action of the second- or third-century church? Or did it arise more naturally from within the early Christian faith itself? Was the canon an extrinsic phenomenon, or an intrinsic one? These are the questions this book is designed to address. And these are not micro questions, but macro ones. They address foundational and paradigmatic issues about the way we view the canon. They force us to consider the larger framework through which we conduct our research - whether we realized we had such a framework or not. Of course, we are not the first to ask such questions about why we have a canon. Indeed, for many scholars this question has already been settled. The dominant view today, as we shall see below, is that the New Testament is an extrinsic phenomenon; a later ecclesiastical development imposed on books originally written for another purpose. This is the framework through which much of modern scholarship operates. And it is the goal of this volume to ask whether it is a compelling one. To be sure, it is no easy task challenging the status quo in any academic field. But, we should not be afraid to ask tough questions. Likewise, the consensus position should not be afraid for them to be asked.

Some questions about the New Testament are far from settled, to say nothing of misconception and confusion. In this wide-ranging yet accessible overview, Bejamin Laird offers constructive insight on matters tied to the composition, collection, and authority of the New Testament canon.

Allah is widely believed to have ninetynine names, each of which has a meaning and is indicative of a desirable quality. This copiously researched book, The Names Of Allah, contains the most popularly accepted and several lesserknown titles of Allah. These sacred names are given in Arabic and phonetic English, with English translations and explanatory notes. Enhancing the appeal of the book is a comprehensive introduction. It deals with several canons, each of which differs in the names included and the sequence followed. Drawing upon the views of various scholars regarding the names and attributes of Allah, the categorization of these names and most importantly, the benefits of reciting them, the author gives us perhaps the most thorough and accessible contemporary interpretation of the different aspects of the Supreme Being.

To what extent do minority writers feel represented by the literary canon of a nation and its body of "great works"? To what extent do they adhere to, or contest, the supposedly universal values conveyed through those texts and how do they situate their own works within the national tradition? Building on Edward W. Said’s contrapuntal readings and Gayatri Chakravorty Spivak’s reflections on the voice of the subaltern, this monograph examines the ways in which Rafik Schami, Emine Sevgi Özdamar, and Feridun Zaimoglu have re-read, challenged, and adapted the German canon. Similar to other writers in postcolonial contexts, their work on the canon entails an inquiry into history and a negotiation of their relation to the texts and representations that define the "host" nation. Through close analyses of the works of these non-native German authors, the book investigates the intersection between politics, ethics, and aesthetics in their work, focusing on the appropriation and re-evaluation of cultural legacies in German-language literature. Opening up a rich critical dialogue with scholars of German Studies and Postcolonial Theory, Christine Meyer provides a fresh perspective on German-language minority literature since the reunification. Watch our talk with the editor Christine Meyer here: https://youtu.be/bIOn-8q5QIU