In the nineteenth century true stories of cannibal tribes massacring white traders (and vice versa) and missionaries fed the morbid appetites of Europeans, North Americans and colonials. Accounts of cannibalism committed by seafarers on their dead shipmates quickened the pulses of landfolk even more, and pricked their moral disquiet. Acts of desperate men committing unspeakable atrocities. The warring frenzy of cannibal headhunters and their gruesome feasting. Such was the stuff of real-life 'sixpenny romances', rich in human butchery and garnished with treachery and terror. The more atrocious the at rocities, the more exotic the locations; the more sensational the narratives, the greater was the thrall of these thrilling tales of the sea.

In 1536 England, sixteen-year-old Dell runs away from her brutal father and life in a cave carrying only a hand-made puppet to travel to London, where she learns truths about her mother's death and the conflict between King Henry VIII and the Catholic Church.

True-life stories of seafarers facing danger and death in the 19th and early 20th centuries

Celebrated American Indian thinker Jack D. Forbes’s Columbus and Other Cannibals was one of the founding texts of the anticivilization movement when it was first published in 1978. His history of terrorism, genocide, and ecocide told from a Native American point of view has inspired America’s most influential activists for decades. Frighteningly, his radical critique of the modern "civilized" lifestyle is more relevant now than ever before. Identifying the Western compulsion to consume the earth as a sickness, Forbes writes: "Brutality knows no boundaries. Greed knows no limits. Perversion knows no borders. . . . These characteristics all push towards an extreme, always moving forward once the initial infection sets in. . . . This is the disease of the consuming of other creatures’ lives and possessions. I call it cannibalism." This updated edition includes a new chapter by the author.

These woods are dark and full of monsters... In 1991, hell was unleashed upon Saint Christopher's Summer Camp for Kids. The killers left behind piles of bodies and rivers of blood. Some say a family of inbred cannibals was responsible. A masked psychopath with a butcher's knife is another popular theory. Some still believe a camp counselor lost his mind and went crazy on everyone with an axe. But there's also the mysterious, derelict factory that sits nearby, atop Kill Hill. A place where urban legends are manufactured, the grotesque and bizarre. Twenty-five years later, the factory on Kill Hill is still said to be operational, but no one can get near it. It's safely guarded along with the secrets within. But there are a few loose strings and hitman Frank Harmon has been sent to tie them up. His kill list is short, but the night is long and full of unspeakable horrors. With the help of a few college students on an impromptu camping adventure, Frank must contain the mess at Kill Hill before it spreads to the neighboring towns. Before it infects the entire country. Before it invades the entire world. From the fantastical, high-octane mind of Tim Meyer, author of Sharkwater Beach and In the House of Mirrors, comes his most frightening tale yet! Summer camp this year is at your own risk.

Sailing the uncharted waters of the Pacific in 1830, Captain Benjamin Morrell of Connecticut became the first outsider to encounter the inhabitants of a small island off New Guinea. The contact quickly turned violent, fatal cannons were fired, and Morrell abducted young Dako, a hostage so shocked by the white complexions of his kidnappers that he believed he had been captured by the dead. This gripping book unveils for the first time the strange odyssey the two men shared in ensuing years. The account is uniquely told, as much from the captive’s perspective as from the American’s. Upon returning to New York, Morrell exhibited Dako as a “cannibal” in wildly popular shows performed on Broadway and along the east coast. The proceeds helped fund a return voyage to the South Pacific—the captain hoping to establish trade with Dako’s assistance, and Dako seizing his only chance to return home to his unmapped island. Supported by rich, newly found archives, this wide-ranging volume traces the voyage to its extraordinary ends and en route decrypts Morrell’s ambiguous character, the mythic qualities of Dako’s life, and the two men's infusion into American literature—Dako inspired Melville’s Queequeg, for example. The encounters confound indigenous peoples and Americans alike as both puzzle over what it is to be truly human and alive.

Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.