Canela con Miel y Clavos (Cinnamon with Honey and Cloves) explores the complexities of growing up as a Black male of Caribbean and Hispanic heritage in the urban America of the 1960s. This collection of poems, dribbles & drabbles, vignettes, short stories, and an essay express Dr. Robert Woodbine's personal and poignant memories and offers insights into the caustic effects of racism both past and present. A product of the Black Arts Movement, he examines this racial and cultural history and, with measured acerbic lyricism, reveals elements of these struggles through the lens of his own experiences.Where these issues remain unresolved or efforts seem futile, Canela con Miel y Clavos gently coaxes the hopeful towards the universal power of spiritual transcendence.

Amid the aftermath of the overthrow of Romanian Dictator Ceausescu, three teenage friends from the small town of Turda, Romania decide to run away from home and seek a better life for themselves in the west. Their journey takes them westward across Europe, through joy and pain, love and suffering, as they strive to continue chasing the sun in hopes of a brighter future.

A major literary event—the eagerly anticipated publication of a long-lost novel from legendary writer and three-time Pulitzer Prize nominee John Oliver Killens, hailed as the founding father of the Black Arts Movement and mentor to celebrated writers, including Maya Angelou, Nikki Giovanni, Arthur Flowers, and Terry McMillan. Wanderlust has taken Jimmy Jay Leander Johnson on numerous adventures, from Mississippi to Washington D.C., Vietnam, London and eventually to Africa, to the fictitious Independent People’s Democratic Republic of Guanaya, where the young musician hopes to “find himself.” But this small sliver of a country in West Africa, recently freed from British colonial rule, is thrown into turmoil with the discovery of cobanium—a radioactive mineral 500 times more powerful than uranium, making it irresistible for greedy speculators, grifters, and charlatans. Overnight, outsiders descend upon the sleepy capital city looking for “a piece of the action.” When a plot to assassinate Guanaya’s leader is discovered, Jimmy Jay—a dead ringer for the Prime Minister—is enlisted in a counter scheme to foil the would-be coup. He will travel to America with half of Guanaya’s cabinet ministers to meet with the President of the United States and address the UN General Assembly, while the rest of the cabinet will remain in Guanaya with the real Prime Minister. What could go wrong? Everything. Set in the 1980s, this smart, funny, dazzlingly brilliant novel is a literary delight—and the final gift from an American literary legend.

From apple pie to baklava, cannoli to gulab jamun, sweet treats have universal appeal in countries around the world. This encyclopedia provides a comprehensive look at global dessert culture. Few things represent a culture as well as food. Because sweets are universal foods, they are the perfect basis for a comparative study of the intersection of history, geography, social class, religion, politics, and other key aspects of life. With that in mind, this encyclopedia surveys nearly 100 countries, examining their characteristic sweet treats from an anthropological perspective. It offers historical context on what sweets are popular where and why and emphasizes the cross-cultural insights those sweets present. The reference opens with an overview of general trends in desserts and sweet treats. Entries organized by country and region describe cultural attributes of local desserts, how and when sweets are enjoyed, and any ingredients that are iconic. Several popular desserts are discussed within each entry including information on their history, their importance, and regional/cultural variations on preparation. An appendix of recipes provides instructions on how to make many of the dishes, whether for school projects or general entertaining.

The magic of Andalusia is crystallized in Federico Garcia Lorca's first major work, Poem of the Deep Song, written in 1921 when the poet was twenty-three years old, and published a decade later. In this group of poems, based on saetas, soleares, and siguiriyas, Lorca captures the passionate flamenco cosmos of Andalusia's Gypsies, ""those mysterious wandering folk who gave deep song its definitive form. Cante jondo, deep song, comes from a musical tradition that developed among peoples who fled into the mountains in the 15th century to escape the Spanish Inquisition. With roots in Arabic instruments, Sephardic ritual, Byzantine liturgy, native folk songs, and, above all, the rhythms of Gypsy life, deep song is characterized by intense and profound emotion. Fearing that the priceless heritage of deep song might vanish from Spain, Lorca, along with Manuel de Falla and other young artists, hoped to preserve ""the artistic treasure of an entire race."" In Poem of the Deep Song, the poet's own lyric genius gives cante jondo a special kind of immortality. Carlos Baur is the translator of Garcia Lorca's The Public and Play Without a Title: Two Posthumous Plays, and of Cries from a Wounded Madrid: Poetry of the Spanish Civil War. He has also translated the work of Henry Miller and other contemporary American writers into Spanish.

Excerpt from the Preface: "With the best intention of justifying Messrs. Pitman's confidence in entrusting me with the compilation of a Spanish Grammar to form part of the series of "Commercial Grammars," I set to work to produce a book which, while avoiding pedantry and the agglomeration of superfluous and intricate rules which puzzle the student, should equally avoid falling into the extreme of coarseness which debases the subject under study, or the scrappiness resulting in gaps that perplex and discourage him. I have tried to be brief and clear in the rules given."

The first book in English to consider the full extent of the accomplishments and influence the Chilean cultural icon, Violeta Parra.