Cancan! covers the nineteenth-century influences on the dance's development, including women's fashions (particularly their underwear), sex and morality, and major political changes. Author David Price describes the colourful personalities responsible for the transformation of what was an amateur dance into a professional entertainment, and the theatres, music-halls and dancing gardens where they performed. The book gives a full account of the ballets, operettas and musicals by Offenbach, Lehar, Cole Porter and others featuring the cancan, as well as the artists and film-makers who depicted the dance in their work - artists like Toulouse-Lautrec, Seurat, Picasso, Rouault and the Second Empire illustrators; and film-makers such as Jean Renoir, John Huston and others. Included are comments from dancers and choreographers in France, Britain and the USA.

From the ragtime one-step of the early twentieth century to the contemporary practices of youth club cultures, popular dance and music are inextricably linked. This collection reveals the intimate connections between the corporeal and the sonic in the creation, transmission and reception of popular dance and music, which is imagined here as ’bodies of sound’. The volume provokes a wide-ranging, interdisciplinary conversation that includes scholarship from Asia, Europe and the United States, which explores topics from the nineteenth century through to the present day and engages with practices at local, national and transnational levels. In Part I: Constructing the Popular, the authors explore how categories of popular music and dance are constructed and de-stabilized, and their proclivity to appropriate and re-imagine cultural forms and meanings. In Part II: Authenticity, Revival and Reinvention, the authors examine how popular forms produce and manipulate identities and meanings through their attraction to and departure from cultural traditions. In Part III: (Re)Framing Value, the authors interrogate how values are inscribed, silenced, rearticulated and capitalized through popular music and dance. And in Part IV: Politics of the Popular, the authors read the popular as a site of political negotiation and transformation.

Experience the exhilaration of Jacques Offenbach's "Can Can" in a sophisticated arrangement for Brass Quintet at an intermediate level. This thrilling performance piece is available in a convenient Set of parts (8). Our arrangement offers an extraordinary opportunity for unforgettable musical performances with your brass ensemble. Set of Parts: 2 Bb Trumpets Horn in F Trombone Tuba Optional parts included for added flexibility in performance: Bb Tenor Horn (III T.C.) Bb Trombone (IV T.C.) Bb Tuba (T.C.) Special Features: This exceptional arrangement of "Can Can" is part of a comprehensive series, allowing you to expand your repertoire with ease. The full score volume is available separately in series, enabling you to study and conduct your ensemble with the utmost precision. For enhanced music comprehension, this series includes multilingual cards in various languages, including English, French, German, Italian, Portuguese, Spanish, Korean, Japanese, and Chinese. These cards provide detailed explanations, interpretations, and suggestions to help you achieve an extraordinary musical performance. Choose this arrangement of Jacques Offenbach's "Can Can" for your brass quintet and get ready to thrill your audience with an unforgettable show. Perform your music with passion, precision, and style thanks to this wonderful performance opportunity. - partitions pour quintette de cuivres, Noten für Blechbläserquintett, spartiti per quintetto di ottoni, partituras para quinteto de metales, partituras para quinteto de metais, noder til messingkvintet, noter for messingkvintett, noter för mässingskvintett, rézfúvós ötös kotta, nuty na kwintet dęty blaszany, partituri pentru cvintet de alamă, noty pro kvintet dechových nástrojů -

Arrangement for Woodwind Quartet (intermediate) by Francesco Leone. Score: Flute, Oboe, Bb Clarinet and Bassoon. Parts available separately. The can-can is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Many composers have written music for the can-can. The most famous music is French composer Jacques Offenbach's Galop Infernal in his operetta Orphée aux Enfers (Orpheus in the Underworld) (1858)

Experience the exhilaration of Jacques Offenbach's "Can Can" in a sophisticated arrangement for Brass Quintet at an intermediate level. This thrilling performance piece is available in SCORE. Our arrangement offers an extraordinary opportunity for unforgettable musical performances with your brass ensemble. The set of parts volume is available separately in series, enabling you to study and conduct your ensemble with the utmost precision. Set of Parts: 2 Bb Trumpets Horn in F Trombone Tuba Optional parts included for added flexibility in performance: Bb Tenor Horn (III T.C.) Bb Trombone (IV T.C.) Bb Tuba (T.C.) For enhanced music comprehension, this series includes multilingual cards in various languages, including English, French, German, Italian, Portuguese, Spanish, Korean, Japanese, and Chinese. These cards provide detailed explanations, interpretations, and suggestions to help you achieve an extraordinary musical performance. Choose this arrangement of Jacques Offenbach's "Can Can" for your brass quintet and get ready to thrill your audience with an unforgettable show. Perform your music with passion, precision, and style thanks to this wonderful performance opportunity. - partitions pour quintette de cuivres, Noten für Blechbläserquintett, spartiti per quintetto di ottoni, partituras para quinteto de metales, partituras para quinteto de metais, noder til messingkvintet, noter for messingkvintett, noter för mässingskvintett, rézfúvós ötös kotta, nuty na kwintet dęty blaszany, partituri pentru cvintet de alamă, noty pro kvintet dechových nástrojů -