Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.

"Margaret Atwood considers the Canadian literary landscape of the 1960s to be like the Burgess Shale, a geological formation that contains the fossils of many weird and strange early life forms, different from but not unrelated to contemporary writerly ones. The Burgess Shale is not all about writerly pursuits, though. Atwood also gives readers some insight into the fashions and foibles of the times. Her recollections and anecdotes offer a wry and often humorous look at the early days of the institutions taken for granted today--from writers' unions and grant programs to book tours and festivals."--

Canadian Writers in 1984 is a special double length, hardback edition of the 100th issue of Canadian Literature. The book not only celebrates a publishing landmark in the history of the journal but also reflects the incredible richness of Canada's contemporary literary scene. The collection features the work of outstanding new writers as well as poems and essays written especially for this issue by Canada's most famous poets, novelists, dramatists, and essayists. Among the 29 essayists are Matt Cohen, Timothy Findley, Naim Kattan, Irving Layton, Dorothy Livesay, Eli Mandel, Jane Rule, Aritha Van Herk, and George Woodcock. The writings exhibit a diversity of styles and themes: Margaret Laurence on war and peace, Eric Nicol on commercial writing, Marian Engel on starting a new novel, James Reaney on regionalism, David Watmough on places, and David Helwig on arguing with God. The poets comprise a virtual "Who's Who" in Canadian poetry today: Margaret Atwood, Bill Bissett, Barry Dempster, Joy Kogawa, Dennis Lee, George McWhirter, Susan Musgrave, Michael Ondaatje, Al Purdy, Robin Skelton, Raymond Souster, and Tom Wayman are among over 60 of the poets represented. Prefaces to the book have been contributed by Governor General Edward Schreyer; Dr. George Pederson, President of the University of British Columbia; and Canada's grand man of letters, Mavor Moore.

This new volume of the Literary History of Canada covers the continuing development of English-Canadian writing from 1972 to 1984. As with the three earlier volumes, this book is an invaluable guide to recent developments in English-Canadian literature and a resource for both the general reader and the specialist researcher. The contributors to this volume are Laurie Ricou, David Jackel, Linda Hutcheon, Philip Stratford, Barry Cameron, Balachandra Rajan, Robert Fothergill, Brian Parker, Cynthia Zimmerman, Frances Frazer, Edith Fowke, Bruce G. Trigger, Alan C. Cairns, Douglas Williams, Carl Berger, Shirley Neuman, Raymond S. Corteen, and Francess G. Halpenny.

Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 3 has been newly written for this edition of the History, and covers the years from about 1960 to 1974. The contributors to this volume are Claude Bissell, Desmond Pacey, Lauriat Lane, jr, Michael S. Cross, Thomas A. Goudge, John Webster Grant, John H. Chapman, William E. Swinton, Henry B. Mayo, Malcolm Ross, Brandon Conron, Clara Thomas, Sheila A. Egoff, John Ripley, William H. New, George Woodcock, and Northrop Frye.

Canada has become a leader among the modern nations of the world. It has emerged as a modern industrial nation, and as a key player in the resource, commodities, and financial institutions that make up today’s world. This third edition of the Historical Dictionary of Canada contains a chronology, an introduction, and an extensive bibliography. It includes over 700 cross-referenced entries on a wide range of topics, covering the broad sweep of Canadian history from long before European contact until present day. Topics include Indigenous peoples, women, religion, regions, politics, international affairs, arts and culture, the environment, the economy, language, and war. This is an excellent resource for students, researchers, and anyone wanting to know more about Canada. It introduces readers to the successes and failures, the conflicts and accommodations, the events and trends that have shaped Canadian history.

Poet, traveller, artist, and mystic - the story of one extraordinary woman's many lives.