Excerpt from Canadian Poems of the Great War More and more are the poets realizing that the quality of beauty is universal; and hence that there is nothing in this subjective-objective world, outside the pale of artistic expression. More and more are they seeking themes of intense human interest, and striving for climaxes of spiritual beauty. To me, the spirit and content of an inspired poem is potential form; and in its natural verbal expression, of necessity organic. The inspiration shapes and perfects the form. This is why I regard the actual form as only, at most, equal in importance to what is expressed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

While John McCrae's "In Flanders Fields" stands as the signature poem of World War 1, the Canadian contribution to the poetry of this period is far wider and deeper. This collection of verse from the men and women who experienced the first great war of the twentieth century includes Charles G.D. Roberts, Marjorie Pickthall, Helena Coleman, and Robert Service, among many others. Their poetry captures both the unfathomable loss and unequaled courage of the time. This contemporary edition includes biographical notes and historical references. Illustrating how amidst the man-made hell of the trenches humanity still clung to the hope and dream of grace, this anthology is a hauntingly lyrical entry to Oxford's new Outlooks on Canadian Literature series.

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