While John McCrae's "In Flanders Fields" stands as the signature poem of World War 1, the Canadian contribution to the poetry of this period is far wider and deeper. This collection of verse from the men and women who experienced the first great war of the twentieth century includes Charles G.D. Roberts, Marjorie Pickthall, Helena Coleman, and Robert Service, among many others. Their poetry captures both the unfathomable loss and unequaled courage of the time. This contemporary edition includes biographical notes and historical references. Illustrating how amidst the man-made hell of the trenches humanity still clung to the hope and dream of grace, this anthology is a hauntingly lyrical entry to Oxford's new Outlooks on Canadian Literature series.

Anthology of poetry by Canadian authors from the 1600s to the first decade of the 20th century.

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.

Although the United States did not enter the First World War until April 1917, Canada enlisted the moment Great Britain engaged in the conflict in August 1914. The Canadian contribution was great, as more than 600,000 men and women served in the war effort—400,000 of them overseas—out of a population of 8 million. More than 150,000 were wounded and nearly 67,000 gave their lives. The war was a pivotal turning point in the history of the modern world, and its mindless slaughter shattered a generation and destroyed seemingly secure values. The literature that the First World War generated, and continues to generate so many years later, is enormous and addresses a multitude of cultural and social matters in the history of Canada and the war itself. Although many scholars have brilliantly analyzed the literature of the war, little has been done to catalog the writings of ordinary participants: men and women who served in the war and wrote about it but are not included among well-known poets, novelists, and memoirists. Indeed, we don’t even know how many titles these people published, nor do we know how many more titles were added later by relatives who considered the recollections or collected letters worthy of publication. Brian Douglas Tennyson’s The Canadian Experience of the Great War: A Guide to Memoirs is the first attempt to identify all of the published accounts of First World War experiences by Canadian veterans.

A beautifully designed collection of essays on war, loss and remembrance to commemorate the 100th anniversary of the writing of Canada's most famous poem. In early 1915, the death of a young friend on the battlefields of Ypres inspired Canadian soldier, field surgeon and poet John McCrae to write "In Flanders Fields." Within months of the poem's December 1915 publication in the British magazine Punch it became part of the collective consciousness in North America and Europe, and its extraordinary power has endured over the decades and across generations. In this anthology, Canada's finest historians, novelists and poets contemplate the evolving meaning of the poem; the man who wrote it and the World War I setting from which it emerged; its themes of valour, grief and remembrance; and the iconic image of the poppy. Among the thirteen contributors: Lieutenant-General Roméo Dallaire (ret'd) writes about the emotional meaning of the poem for war veterans; Tim Cook describes the rich and varied life of McCrae; Frances Itani revisits her time in Flanders, and mines the acts of witnessing and remembering; Kevin Patterson offers a riveting depiction of the adrenaline-fueled work of a WWI field surgeon; Mary Janigan reveals the poem's surprisingly divisive effect during the 1917 federal election; Ken Dryden tells us how lines from the poem ended up on the wall of the Montreal Canadiens' dressing room; and Patrick Lane recalls a Remembrance Day from his childhood in a moving reflection on how war shapes us all. Gorgeously designed in full colour with archival and contemporary images, In Flanders Fields: 100 Years will reflect and illuminate the importance of art in how we process war and loss.

'May the eyes of Canada never be blind to that glorious light which shines upon our young national life from the deeds of those "who counted not their lives dear unto themselves"'. When World War I broke out in the summer of 1914, the Canadian chaplain Frederick George Scott volunteered for service despite his fears. He spent four long years in the trenches on the western front, where he developed close bonds with his fellow soldiers and sought to maintain his faith while the world around him collapsed into chaos. In evocative language befitting his background as a poet, Scott lays bare the horrors of modern warfare. Filled with heart-wrenching descriptions and tragic detail, The Great War as I Saw It is a powerful meditation on the Canadian experience during World War I and an important look into the life of the ordinary soldier.