Award-winning poet and playwright Idris Goodwin interrogates and remixes our cultural past in order to make sense of our present and potential futures.

Whether it's for the comfort, the style, the collectibility, or the investment potential, sneakers play a huge role in pop culture. Ran Walker and Van G. Garrett decided to explore the various aspects of sneaker culture in this collection of microfiction and poetry. More than a celebration of sneaker culture, Can I Kick It? creatively explores everything from that first pair of J's to the latest Yeezy obsession.

The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Tackling the history of race relations, global migration, and the changing tension between high and low culture, author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Kick It shows how the drum kit and drummers helped change modern music--and society as a whole--from the bottom up.

This fourth title in the perenially popular, Geisel Award-winning Level 2 readers series features a sport that's a kid favorite: soccer! The soccer season is starting, and Mo has been working hard on his kicking skills so he can help his team, the Billy Goats, score a goal. But when he gets on the field on game day, it seems like all he gets to do is run back and forth. Will Mo ever get the chance to show his team what he can do?

(Musicians Institute Press). Designed to help today's up-and-coming DJs become familiar with the main methods of DJ-ing, this book teaches the important historical and technological langdmarks that have contributed to this art form. Not only does this publication present the traditional method of DJ-ing using vinyl records, but it also shares more modern methods of performance, including both digital media players (Pioneer CDJ/XDJs), and the industry-leading software, Serato DJ, as well. A later chapter on business provides insightful advice gathered along years of experience, as well as useful tips and tricks for onstage performance. In addition, this package includes online video mirroring the concepts addressed in the book. Upon completing this study, the reader will be able to perform a convincing DJ set on a variety of DJ setups.

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

What started out as a way to address dealing with parenting and, in particular, fatherhood, became a series of poems focused on familial roles and situations that are difficult to articulate, even among family members. The poems in Zero to Three mark both the change in the child and in the father, who is also a son himself. The term “zero to three” derives from the developmental period that many clinicians and pediatricians believe is the most fundamental phase for children whose delicate brains are undergoing drastic and formative change. Research also shows that parents undergo formative change alongside their children during this period from conception to toddler age. These poems do not intend to offer a definitive stance on parenting or fatherhood but, rather, to capture an emotional gestational period that extends beyond the womb and exceeds beyond the grave. They celebrate pop culture and family, as well as lament the anguish and frustration of a parent losing his temper or a parent losing a parent. Ultimately, these poems attempt to sing and dance in the fact that parenting is a wonderful mystery to witness and experience.