An expert account of how different countries have sought to hide their forces in plain view for the past century packed with photographs and colour artworks, Camouflage at War is a fascinating exploration of how the nature of combat has changed over the last hundred years.

From its origins to its use in combat today, The Little Book of Camouflage tells the history of camouflage in conflict. Its conception, its uses and the colours are looked at, as well as the key patterns such as the German uniforms of World War II, the ever-recognisable American type worn during Vietnam and the British DPM forming a sort of recognition guide to the various patterns in use in the armies of history and present day. Illustrated throughout with the patterns themselves and images of camouflage in use, Tim Newark presents a quick and detailed look at the most prolific camouflage patterns.

Henrietta Goodden explores the development of the extraordinary ideas which were to play such an important part in defeating the enemy in the air, on land and at sea.

Examines how literary writers including Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, James Hanley, Evelyn Waugh, Graham Greene, and others countered the war culture promoted by mass media, war planners, and military historians.

While concealment has been a vital requirement for hunting, fighting and protection since earliest days, the use of camouflage as deception purposes came of age in the First World War. The growing use of aircraft was a factor no doubt as the author of this fascinating study concludes. The inventiveness and improvisation required suited the British temperament well. Given that those individuals who particularly excel at creativity are often artists, scientist and engineers with a fine disregard for orthodox military practice there are plenty of examples of clashes with more conventional military thinkers and bureaucracy. The levels of ingenuity achieved in hiding huge installations, airfields and ships are astounding. Lakes were hidden and river courses concealed. 'Active' camouflage designed to deceive the enemy as to strengths and directions of attack was accepted as a vital part of offensive planning for example at El Alamein and in the run-up to D Day, Guy Hartcup's Camouflage is not only instructive reading for military practitioners intent on developing their skills but a most interesting and entertaining read for a much wider audience. The use of photographs provides graphic examples of attempts at concealment and deception over the years in many different wars and theaters.

This book explains and illustrates the actual materials and techniques adopted (both successfully and unsuccessfully) by tactical units – i.e. the concealment of personnel, weapons, equipment, field positions, and movement by infantry riflemen and weapons crews, artillerymen, and vehicle crews. It covers all areas and seasons in the European and Mediterranean theaters of operations, for the US, British, German, and Soviet armies. It includes camouflage of the person, personal equipment, and weapons; natural materials and “expedient” techniques; issued camouflage materials such as nets, ponchos, etc; the principles of camouflaging equipment and vehicles, of positioning and terrain integration, the effects of light and shadow, and the use of decoy and dummy positions. Featuring meticulous full-color artwork and specially selected period photographs, this absorbing study casts new light on the camouflaging techniques developed by the major armies of World War II on a host of European battlefields.

The story behind the various organizations responsible for trickery and deception during World War II.