This book deals with the important subject of governance and development. Even more significantly, the book has the merits of critically evaluating the concept of good governance in an African context, identifying the internal factors that impinge on good governance and development, and proposing solutions. It provides empirical evidence on the extent to which inappropriate governing strategies are the main internal obstacle to development in Cameroon. The authors discuss factors contributing to precarious and problematic governance from multidisciplinary perspectives, and demonstrate the extent to which such inadequacies impede positive social change. To promote effective development, the authors argue for the implementation of a good governance strategy that comprises, inter alia: adopting appropriate development strategies; decentralizing administration to make for popular participation and ensure accountability; taking the necessary steps to fight corruption; and ensuring the enforcement of property and cultural rights.

This book deals with the important subject of governance and development. Even more significantly, the book has the merits of critically evaluating the concept of good governance in an African context, identifying the internal factors that impinge on good governance and development, and proposing solutions. It provides empirical evidence on the extent to which inappropriate governing strategies are the main internal obstacle to development in Cameroon. The authors discuss factors contributing to precarious and problematic governance from multidisciplinary perspectives, and demonstrate the extent to which such inadequacies impede positive social change. To promote effective development, the authors argue for the implementation of a good governance strategy that comprises, inter alia: adopting appropriate development strategies; decentralizing administration to make for popular participation and ensure accountability; taking the necessary steps to fight corruption; and ensuring the enforcement of property and cultural rights.

Exhumed, Tried and Hanged elucidates the abuse of folk good faith and ignorance by a conceited, ruthless and grasping leadership that sows carnage among the natives of Etambeng, culminating in unprecedented exodus, untold suffering and death of the people in neighbouring villages. Upon the death of the perpetrator the few returnees are made to listen to the gruesome stories of how the aggrieved children of his victims took revenge on his corpse.

Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun.

Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that created the passionately exciting The Crown of Thorns. Honest, enthusiastic, arrogant and self-righteous, Antony Nkoaleck, the first graduate of his tribe means well. But his society, entrenched in corruption, sees things differently and therefore judges him according to its own norms. Just one or two errors on Antony's part are enough to cost him his job with the government, the coveted throne of Nkokonoko Small Monje, and finally his life. It is a sad story, strongly reminiscent of Myshkin's fate in Dostoevysky's novel The Idiot, a story in which the Russian novelist vividly shows the inability of any man to bear the burden of moral perfection in an imperfect world.

"We can only reminisce in this beautiful drama, and hope that while the audience enjoys itself, it is called to sympathize and take a peek at the turbulence that once rocked the peaceful life of a strong traditional society." Lillian Fomunung, University of Tennessee, USA.

The Moogo, the region of the Moose known as Mossi in ancient literatureóoccupies the entire central zone of Burkina Faso. It is divided into several kingdoms, the principal one comprising todayís capital of Ouagadougou. Along with the singing griots, the evening storytellers pass on the ancestral word during the evening gatherings where they provide the group with models to follow. The folktale is the most appropriate form for teaching young children to express themselves, to structure their thoughts, and to reason. The tales portraying familiar animals will be reserved for the group of youngest children. The legendary gluttony and foolishness of Mba-KatrÈ, the hyena, in contrast with the cunning and finesse of Mba-So'mba, the hare, will interest above all children from 10 to 12 years of age. The stories describing the origin of things, the reason for various social taboos, the legitimacy of social functions and structures, as well character flaws that need correcting, are reserved as a priority for adolescents.