Whitefish Lake -- Pittsburgh roots -- Boyhood days in Michigan -- School days for blue bloods -- Camera hunting -- Pennsylvania politics -- The great bird mystery -- Camp life and camera traps -- A progressive goes to Washington -- The National Geographic Society -- Ormond Beach -- Bahamas, Mexico -- Newfoundland and nature fakers -- Eminent personalities -- Yellowstone and the Shiras moose -- The Kenai Peninsula -- Roosevelt-Newett Libel Trial -- The crusade to save birds -- The Shiras bear -- Gatun Lake and Panama -- The bullet is on the way -- The bird treaty -- Yellowstone Dam fight -- Kaibab Plateau -- Final bird battles -- The big book -- Last days.

In 1906 George Shiras III (1859–1942) published a series of remarkable nighttime photographs in National Geographic. Taken with crude equipment, the black-and-white photographs featured leaping whitetail deer, a beaver gnawing on a tree, and a snowy owl perched along the shore of a lake in Michigan’s Upper Peninsula. The pictures, stunning in detail and composition, celebrated American wildlife at a time when many species were going extinct because of habitat loss and unrestrained hunting. As a congressman and lawyer, Shiras joined forces with his friend Theodore Roosevelt and scientists in Washington, DC, who shaped the conservation movement during the Progressive Era. His legal and legislative efforts culminated with the passage of the Migratory Bird Treaty Act. Camera Hunter recounts Shiras’s life and craft as he traveled to wild country in North America, refined his trail camera techniques, and advocated for the protection of wildlife. This biography serves as an important record of Shiras’s accomplishments as a visual artist, wildlife conservationist, adventurer, and legislator.

Abbas Kiarostami (*1940 in Teheran) became known primarily for his films made in the seventies, which were awarded prizes at film festivals such as Cannes (Golden Palm 1997) and Venice. Despite large-scale solo exhibitions at institutions such as the Museum of Modern Art in New York and the Centre Pompidou in Paris, the photographic oeuvre of this artist, who studied painting, has yet to be showcased in germanophone countries. Whereas Kiarostami's films contain haunting images of the human experience, he trains his photographic eye on untouched landscapes, often taking years to develop the images into series such as Snow White (1978-2004) and Rain and Wind (2007). This publication explores the correlation between photographic and filmic vision, between still and moving images. Exhibition schedule: Situation Kunst (for Max Imdahl), Kunstsammlungen der Ruhr-Universität, Bochum, October 6, 2012-January 20, 2013 - Museum Wiesbaden, March 29-June 30, 2013 - Kunstsammlungen Chemnitz, July 14-September 29, 2013 - And further venues

This is the first ever retrospective monograph on Sune Jonsson's life work. His imagery is populated by people who appear distant, but who in fact exist only a few decades back in time. Sune Jonsson (1930-2009) spent nearly his entire life working in the remote, northern Swedish counties of Ångermanland and Västerbotten. His life mission was to document the farming communities found in the agricultural landscapes of northern Sweden, whose decline - parallel with the growth of an industrial and urban society - he witnessed with his own eyes. This monograph covers the majority of Sune Jonsson's works, from the debut book Byn med det blå huset to Och tiden blir ett förunderligt ting. The text is written by Valerie Williams, Professor of the History and Culture of Photography at the University of Arts, London, and former curator at the Hasselblad Center in Sweden. In addition Sune Jonsson's own texts are provided as entryways to his various photographic projects.

How the emergence of wildlife photography changed the way we think about animals.

"Whether fulfilling subsistence needs or featured in stories of grand adventure, hunting loomed large in the material and the imagined landscape of the nineteenth-century West. Epiphany in the Wilderness explores the social, political, economic, and environmental dynamics of hunting on the frontier in three “acts,” using performance as a trail guide and focusing on the production of a “cultural ecology of the chase” in literature, art, photography, and taxidermy.Using the metaphor of the theater, Jones argues that the West was a crucial stage that framed the performance of the American character as an independent, resourceful, resilient, and rugged individual. The leading actor was the all-conquering masculine hunter hero, the sharpshooting man of the wilderness who tamed and claimed the West with each provident step. Women were also a significant part of the story, treading the game trails as plucky adventurers and resilient homesteaders and acting out their exploits in autobiographical accounts and stage shows.Epiphany in the Wilderness informs various academic debates surrounding the frontier period, including the construction of nature as a site of personal challenge, gun culture, gender adaptations and the crafting of the masculine wilderness hero figure, wildlife management and consumption, memorializing and trophy-taking, and the juxtaposition of a closing frontier with an emerging conservation movement."