This novel marks the peak of Lao She's career as a professional writer and registers a new approach to the representation of China in its absurdist situation. It can be read as an "epic" of modern China.

Renowned for his absurdist re-visioning of the world and experimentation with the techniques of humour in his writings, Lao She has written about most major historical events in modern China. In his masterpiece Camel Xiangzi, he reveals his prophetic vision of the future of China. The novel depicts the life of Xiangzi, a young rickshaw-puller in Beijing, who fails to improve his life no matter how hard he works. When innocent people's hopes are destroyed, they are awakened to the truth that they are but playthings of fate, which is a Chinese concept for the unnameable in life's absurdities. The novel demonstrates the techniques of bitter humour Lao She employs in his portrayal of characters, who are caught in the endless social turmoil in the 1930s. The novel's socio-historical dimensions have made it a widely used text for the cultural analysis of modern China. Book jacket.

This novel marks the peak of Lao She's career as a professional writer and registers a new approach to the representation of China in its absurdist situation. It can be read as an "epic" of modern China.

“Lao She’s great novel.” —The New York Times A beautiful new translation of the classic Chinese novel from Lao She, one of the most acclaimed and popular Chinese writers of the twentieth century, Rickshaw Boy chronicles the trials and misadventures of a poor Beijing rickshaw driver. Originally published in 1937, Rickshaw Boy—and the power and artistry of Lao She—can now be appreciated by a contemporary American audience.

This book aims to demonstrate the multiplicity of configurations of the individual in modern Chinese literature through analyzing several classic texts written by Zhou Zuoren, Lu Xun, Lao She, and Mu Shiying. It attempts to refresh our understanding of the history of modern Chinese literature and indirectly responds to the controversial issue of “individual rights” (or “human rights”) in present-day China, showing that in modern Chinese literature, various configurations of the individual imply political possibilities that are not only irreconcilable with each other, but irreducible to the determination of the modern discourse of “individualism” introduced by the West. A groundbreaking work, it will give valuable context to political scientists and other scholars seeking to understand what "China" means in the 21st century.

The first comprehensive history of Republican Beijing, with a focus on social and cultural life in the city. This book examines how Republican Beijing, through the very processes of modernization and the material and cultural practices of reccycling, acquired its identity as a consummately "traditional" Chinese city.