For a little village, a lot has happened in Cambria. It's on the road to Hearst Castle and the most scenic stretch of Highway 1, where you can see zebras roaming beside the freeway and elephant seals lounging in the sun. But it's also a destination in its own right, where a rare stand of Monterey pines meets the sea, and where dozens of lively shops and galleries lie nestled at the base of the green Santa Lucia foothills. Former Cambrian editor Stephen H. Provost takes you on a journey through the 20th century in Cambria, one of California's favorite places to relax, retire, and sometimes have a lively debate. Cambria Century is part of his Century Cities series, which he created to celebrate and preserve the history of midsized and smaller American cities from 1900 to 1999. It contains a wealth of anecdotes, some 150 contemporary and historic images, and details of familiar stories you thought you knew, all in an easy-to-read timeline format. Find out about the quicksilver mines and old saloons that made Cambria part of the wild, wild West. Learn about rodeos of the past and the birth of Pinedorado, Cambria's annual Labor Day weekend celebration. Visit San Simeon, at the doorstep to Hearst Castle, and Harmony, the town that's had 18 residents for as long as anyone can remember. Did you know Cambria once had its own movie house and (despite an aversion to national chains), a tiny park on Main Street, and an A&W drive-in? Cambria Century will take you to William Randolph Hearst's castle and Art Beal's anti-castle overlooking the West Village. You'll return to the Toy Soldier Factory, the Pewter Plough Playhouse, the Chuck Wagon, Exotic Gardens, Lyons' Red & White store, Comozzi's, the Rigdon Building, Bank of America, and the Bluebird Inn. And that's just the beginning. The pioneer years of the 19th century boom and recent developments in the new millennium hold many tales of their own. Cambria Century tells the story of what happened in between.

examines Thai-Chinese relations, dating back to the first Thai dynasty (Sukhothai) to the present (Ratanakosin). The study explores the Thai domestic policies that have affected the Chinese population since World War II and assimilation policies of the Thai government towards the Chinese. This book also analyzes both Skinner's and Chan and Tong's arguments, and their main idea in the context of the present day environment and situation for the ethnic Chinese. This research supports the Skinnerian paradigm, which asserts that "a majority of the descendants of Chinese immigrants in each generation merge with Thai society and become indistinguishable from the indigenous population to the extent that fourth-generation Chinese are practically non-existent." The validation of the Skinnerian paradigm rejects Chan and Tong's hypothesis, which claims that Skinner has "overemphasized the forces of assimilation" and that the Chinese in Thailand have not assimilated but retained their Chinese identity. To support Skinner's assertion and reject Chan and Tong's argument, this book presents rich empirical data collected via surveys conducted with the ethnic Chinese in Thailand from 2003-2004. This study uncovers that the forces of assimilation occur at two levels. On the first level, the Chinese in Thailand possess natural attributes which facilitate social and cultural integration and assimilation into Thai society. On the second level, government pro-assimilation policies, driven by the bilateral relations between Thailand and China and the political situation in both countries, are also responsible for the assimilation of the Chinese in Thailand. As the most current in-depth study on the Chinese in Thailand, The Chinese Émigrés of Thailand in the Twentieth Century is a critical addition for all collections in Asian Studies as well as Ethnic and Immigrant Studies.

Newlyweds Theo and Lily Parker buy a bed-and-breakfast in the coastal town of Cambria. Soon after that, Lily is killed. In this novel of love, redemption, and second chances, Theo learns he can no more bring his beautiful new wife back than he can kill the guilt that's eating his soul or the thing that's haunting his new home.