Since the dawn of recorded history, Khmer royalty nurtured a sacred dance style unique to their Asian kingdom, yet instantly recognizable throughout the world. In 1913, George Groslier published the first Western study of this ancient art. For nearly a century Danseuses cambodgiennes anciennes et modernes has stood as the first significant historic account of Cambodia s royal dance tradition. This edition presents the first English translation of his pivotal work, beautifully typeset with all the author s original drawings. It also includes the first personal account of Groslier's life by biographer Kent Davis, family photos, extensive background materials, a bibliography and index. The first French child born in Cambodia in 1887, Groslier went to Paris to train as a painter before returning to Asia to become an archaeologist, historian, educator and novelist. A lifelong champion of Khmer arts, Groslier founded the National Museum of Cambodia and the School of Fine Arts. After a life of adventure, contemplation, and instruction traveling the Mekong, mapping the ruins of Cambodia's lost temples, sparking a revival of traditional Cambodian arts, and helping apprehend a young art thief named Andre Malraux Groslier was tortured and killed by the Japanese army in 1945. This book was the first in a series of works that he wrote about his beloved birthplace. Time would tame his prose but never his enthusiasm, which here leaps off the page. REVIEWS It is my pleasure to introduce new generations of readers to this classic account of Cambodia s royal dance tradition. H.R.H. Princess Norodom Buppha Devi You returned here as if marked by destiny, the most restless artist we had ever encountered to devote himself to Cambodian dancers and their secrets. Charles Gravelle - 1913 The first commentary in any language Asian or European on one of the world s most refined performing arts.. Dr. Paul Cravath - Earth in Flower

"Dance is a means to tell stories across cultures and in The Cambodian Dancer: Sophany's Gift of Hope, we discover how it can also be used as a way to overcome immense pain and loss. Daryn Reicherter's moving story and Christy Hale's beautiful illustrations introduce us to Sophany Bay and show us how central dance was to her life. When she was forced to leave Cambodia, dance became the means for her to heal and help others connect with the culture. This is an important book that reminds us all that no matter what happens, we need to live. We need to dance. --award-winning author, John Coy"

'Cambodian Dance' shows the links between the exquisite stone carvings of the 13th century Angkor temples and the living dance tradition. It includes in-depth interviews with dancers who survived the Khmer Rouge era to revive dance today.

This book celebrates and documents the resurgence of dance in Cambodia after the fall of the Khmer Rouge and the infamous Pol Pot regime. It honours the remarkable commitment of the few remaining masters of the art of dance who are reviving and preserving the famous classical dances, as well as the courage and resolution of young artists who are imaginatively pursuing their passion to forge new paths in contemporary dance. n 2003, Cambodian classical dance was awarded world heritage status by UNESCO – this confirmed the importance, and perhaps the burden, of the task of preservation. This volume includes contributions from the royal family, eminent writers and commentators and the dancers themselves. Monuments and reminders of the Killing Fields abound in the city of Phnom Penh. Nearly 2 million Cambodians, including many artists, perished during the killings or died of starvation and disease during the Khmer Rouge years. Today, the dancers, both young and old, move towards the future while respecting and honouring the past. This volume documents their journey.

An ancient Khmer legend, carved into the stones of Angkor during the tenth century, tells us that Cambodians are the descendants of a mythic couple: a sage and a celestial dancer. For over a thousand years, Cambodian dance has been a compelling means of artistic and spiritual expression. It is indeed the mother of an entire people, at the very heart of Khmer cultural identity. Dance in Cambodia is an introduction of the universe of Cambodian dance as it is practised today, offering a view of diverse performance traditions in which dance plays a major role, and of the powerful creative force dance has maintained in Cambodia over the centuries. Chapters on show theatre, masked dance-drama, and classical dance, as well as theatrical and ceremonial folk dance, explain the movement styles and performance frameworks of these genres while placing them in their rich cultural and historical contexts.