"Dance is a means to tell stories across cultures and in The Cambodian Dancer: Sophany's Gift of Hope, we discover how it can also be used as a way to overcome immense pain and loss. Daryn Reicherter's moving story and Christy Hale's beautiful illustrations introduce us to Sophany Bay and show us how central dance was to her life. When she was forced to leave Cambodia, dance became the means for her to heal and help others connect with the culture. This is an important book that reminds us all that no matter what happens, we need to live. We need to dance. --award-winning author, John Coy"

Cambodian is in many respects a typical Southeast Asian language, whose syntax at least on first acquaintance seems to approximate that of any SVO pidgin. On closer acquaintance, however, because of the richness of its idioms, the language seems to be a forbiddingly alien form of “Desesperanto” – a language of which one can read a page and understand every word individually, and have no inkling of what the page was all about. Like many of the languages of its genetic (Austroasiatic) family, its basic root vocabulary seems to consist largely of sesquisyllabic or iambic words, although there are an enormous number of unassimilated borrowings from Indic languages (which seem to play the same role in Cambodian that Latinate borrowings do in English). Morphologically, Cambodian has a fairly elaborate system of derivational affixes, and it is possible that the genesis of many of the most common of these affixes is related to (and undoes) the constant reduction of unstressed initial syllables in sesquisyllabic words. Again like many of the languages of Southeast Asia, Cambodian exhibits in its lexicon a penchant for symmetrical decorative compounding, a phenomenon which is so marginally attested in Western languages that the phenomenon has received little attention in the typological literature.

A Pulitzer Prize-winning journalist describes how Cambodia emerged from the harrowing years when a quarter of its population perished under the Khmer Rouge. A generation after genocide, Cambodia seemed on the surface to have overcome its history -- the streets of Phnom Penh were paved; skyscrapers dotted the skyline. But under this façe lies a country still haunted by its years of terror. Although the international community tried to rebuild Cambodia and introduce democracy in the 1990s, in the country remained in the grip of a venal government. Pulitzer Prize-winning journalist Joel Brinkley learned that almost a half of Cambodians who lived through the Khmer Rouge era suffered from P.T.S.D. -- and had passed their trauma to the next generation. His extensive close-up reporting in Cambodia's Curse illuminates the country, its people, and the deep historical roots of its modern-day behavior.

In Cambodian Grrrl: Self-Publishing in Phnom Penh, writer and independent publisher Anne Elizabeth Moore brings her experience in the American cultural underground to Cambodia, a country known mostly for the savage extermination of around 2 million of its own under the four-year reign of the Khmer Rouge. Following the publication of her critically acclaimed book Unmarketable and the demise of the magazine she co-published, Punk Planet, and armed with the knowledge that the second generation of genocide survivors in Cambodia had little knowledge of their country’s brutal history, Moore disembarked to Southeast Asia hoping to teach young women how to make zines. What she learned instead were brutal truths about women’s rights, the politics of corruption, the failures of democracy, the mechanism of globalization, and a profound emotional connection that can only be called love. Moore’s fascinating story from the cusp of the global economic meltdown is a look at her time with the first all-women’s dormitory in the history of the country, just kilometers away from the notorious Killing Fields. Her tale is a noble one, as heartbreaking as it is hilarious; staunchly ethical yet conflicted and human.

"Dr. Ear argues that the international community has chosen to prioritize political stability above all other governance dimensions, and in so doing has traded a modicum of democracy for an ounce of security. Focusing on post-1993 Cambodia, Ear explores the unintended consequences in post-conflict environments of foreign aid. He chooses Cambodia both for personal reasons--which infuses an academic analysis with a compelling sense of urgency--and because it is one of the most aid-drenched countries in modern history. He tries to explain the relationship between Cambodia's aid dependence and its appallingly poor governance. He concludes that despite decades of aid, technical cooperation, four national elections, no open warfare, and some progress in some parts of the economy, Cambodia is one broken government away from disaster."--Publisher's description.

Travel & Holiday.

Best known for his academy award-winning role as Dith Pran in "The Killing Fields", for Haing Ngor his greatest performance was not in Hollywood but in the rice paddies and labour camps of war-torn Cambodia. Here, in his memoir of life under the Khmer Rouge, is a searing account of a country's descent into hell. His was a world of war slaves and execution squads, of senseless brutality and mind-numbing torture; where families ceased to be and only a very special love could soar above the squalor, starvation and disease. An eyewitness account of the real killing fields by an extraordinary survivor, this book is a reminder of the horrors of war - and a testament to the enduring human spirit.