Steinberg Henry has composed for us this magical island adventure into song. It is made up of 14 segments and 119 chapters integrating leaps in consciousness, methods and disciplines with skill surprising. Calypso Drift passes by way of an island Parliament, Dread/Rastafari, memorable black-sand beaches, religious systems, the KwÉyòl language business, high-school learning remembrances, a touch of Kalinago sensibility and, American song selections on Caribbean radio in the 70s and 80s. The text leaps to record seven years of Dominican Calypso lyrics, contributing in the process to archiving an island's history. Calypso Drift implores us to listen again to warnings of our song-poets. This is a book for lovers of Calypso globally, one for culture enthusiasts. Those embracing entertainment education, history and the arts in general should find its methods provocative. Students in the natural and social sciences can comfortably uncover themselves herein. And most of all, musicians, song-writers, composers and performers of Calypso find space in its consuming fire. Drift, globality is inside!

Jump Up! Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending oral history, archival research, and ethnography, Jump Up! examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace and transformation of select Carnival music styles and performances. The work fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its Island homeland and its bourgeoning New York migrant community. Jump Up! addresses the issues of music, migration, and identity head on, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York's diasporic communities and the Caribbean.

She was never mine to lose... When Scarlett falls asleep on a Caribbean beach she awakes to her worst nightmare – Katie is gone. With all fingers pointed to her Scarlett must risk everything to clear her name. As Scarlett begins to unravel the complicated past of Katie's mother she begins to think there's more to Katie's disappearance than meets the eye. But who would want to steal a child? And how did no-one see anything on the small island? Time is running out and Scarlett is certain of only one thing – she didn't kill Katie. Did she? Praise for She's Mine: 'Loved this twisty, turny psychological thriller set in paradise. Tense and intriguing, it'll have you turning pages late at night' Suzy K. Quinn, author of Don't Tell the Teacher. 'This psychological thriller is full of twists and if you like fast moving, action filled plots then I recommend this book - it's a great summer holiday read' Lesley Sanderson, author of The Orchid Girls. 'The author went way out there and came out with a bestseller!' Doris Vandruff. 'A fab and creepy read that kept me gripped from the first chapter' Tracy Clarkson. 'This one was definitely a bit of a rollercoaster!' Rukhsana Ashiq. 'I loved this entertaining read' Julia Barrett. 'It was full of twists and surprises' Michelle Perry.

The first text to focus solely on quality and safety in radiotherapy, this work encompasses not only traditional, more technically oriented, quality assurance activities, but also general approaches of quality and safety. It includes contributions from experts both inside and outside the field to present a global view. The task of assuring quality