Each Calling a Dead Man Class Pack contains 15 copies of the Rollercoasters edition of Calling a Dead Man by Gillian Cross and 15 Calling a Dead Man Reading Guides to support the student in their study of the novel. When John, an explosives expert, dies in an accident in Russia, his sister, Hayley and friend Annie go there to mourn. Before long they begin to suspect that there is more to John's death than meets the eye and that certain people are desperately trying to keep them away from the truth. Themes: personal identity, grief, effects of physical environment, loyalty and betrayal, family relationships, disability Teaching Focus: * Skilful evocation of place and atmosphere * The use of tension and suspense to produce a fast-paced thriller * Creation of empathy with characters and their situation * A variety of narrative layers build up the plot structure Recommended for students in Years 7 and 8 The Rollercoasters series is a set of imaginative and exciting books that your students will not want to put down. All books are supported by extensive teacher resources online, in print and on CD-ROM, and contain themes that will appeal to girls, boys and mixed ability classes. Each book is also accompanied by Reading Guides to provide essential background material for students on the novel of the same title, and include a letter to the student from the author of the novel, thematic activities, wider reading references and short reviews.

How did John Cox die? His sister Hayley thinks she knows so, along with John's friend Annie, she travels to Russia to visit the site of the explosion that killed him. But they soon realize there is more to John's death than meets the eye, and certain people are desperate to keep them from finding out the truth.

Upgrade Licence for Multiple Users of:This Enhanced Teacher Pack with CD-ROM offers unique insights into the writing behind the novel of the same name. It includes support for planning whole-class, group and guided work to save you preparation time, plus models for reading and writing on the novel and worksheets for class work andhomework. The material on the CD-ROM supports the writer's craft assessment focuses with material unattainable elsewhere such as video clips, early drafts, letters between author and editor, cover designs and blurbs. It also contains a range of visual stimuli that can be used to introduce the textsor to reinforce particular themes and concepts. Also featured are interactive whiteboard activities including word games, text sequencing and extracts for close analysis. Includes flowcharts, lesson plans, pathways, starters.

This Enhanced Teacher Pack with CD-ROM offers unique insights into the writing behind the novel of the same name. It includes support for planning whole-class, group and guided work to save you preparation time, plus models for reading and writing on the novel and worksheets for class work and homework. The material on the CD-ROM supports the writer's craft assessment focuses with material unattainable elsewhere such as video clips, early drafts, letters between author and editor, cover designs and blurbs. It also contains a range of visual stimuli that can be used to introduce the texts or to reinforce particular themes and concepts. Also featured are interactive whiteboard activities including word games, text sequencing and extracts for close analysis. Includes flowcharts, lesson plans, pathways, starters.

A noted critic brings crowd theory to Film Studies, offering a bold new analysis of the pervasive cinematic themes of transformation and power. From Intolerance to The Silence of the Lambs, motion pictures show crowds and power in complex, usually antagonistic, relationships. Key to understanding this opposition is an intrinsic capability of the cinema: transformation. Making unprecedented use of Elias Canetti's Crowds and Power, Lesley Brill explores crowds, power, and transformation throughout film history. The formation of crowds together with crowd symbols and representations of power create complex, unifying structures in two early masterpieces, The Battleship Potemkin and Intolerance. In Throne of Blood, power-seekers become increasingly isolated, while the crowd of the dead seduces and overwhelms the living. The conflict between crowds and power in Citizen Kane takes place both within the protagonist and between him and the people he tries to master. North by Northwest, Killer of Sheep, and The Silence of the Lambs are rich in hunting and predation and show the crowd as a pack; transformation--true, false, and failed--is the key to both attack and escape. Brill's study provides original insights into canonical movies and shows anew the central importance of transformation in film. Film theorists, critics, and historians will value this fresh and intriguing approach to film classics, which also has much to say about cinema itself and its unique relationship to mass audiences.

Cooking class is back in session for best friends—and sometime sleuths—Annie and Eve. But this time, Annie finds herself on the teacher’s side of the cutting board, and her best friend Eve in more hot water than ever. Bar food. You wouldn’t think it requires any special talent. But the newly redesigned Bellywasher’s, featuring simple, delicious fare, is D.C.’s latest hotspot. There’s something about its down-home ambience that draws people. The owner, Annie’s boyfriend Jim, is offering a six-week bar food cooking class, and Annie is rolling up her sleeves to help. She knows Jim’s food is good—but she’s about to learn that it’s to die for. When one of the students, Brad Peterson, is murdered, Eve becomes the primary suspect. The whole class heard her say she wanted to kill him. She had good reason, too: Brad was the former boss who had her fired when she spurned his advances. But now, to prove Eve’s innocence, she and Annie must make sure all their ducks á l’orange are in a row.