Foreword Book of the Year Award Independent Publishers Award (IPPY) Lambda Literary Award Finalist Publishing Triangle Award Finalist GAMMA Award, Best Feature from The Magazine Association of the Southwest for “Getting the News,” The Georgia Review, Summer 2009 Notable Essay of the Year Citation in Best American Essays 2010 for “Getting the News” Named one of the Best Books of the Year by the Guerilla Girls On Tour and by WILLA: Women in Literary Arts and Letters An extended meditation on the nature of love and the nature of time inside illness, Called Back is both a narrative and non-narrative experiment in prose. The book moves through the standard breast cancer treatment trajectory (diagnosis, surgery, chemotherapy, radiation), with the aim of discovering unexpected vectors of observation, meaning and desire inside each phase of the typically mandated four-part ritual. A lyrical feminist critique of living with cancer at the turn of the twenty-first century in the United States, the book looks through the lens of cancer to discover new truths about intimacy and essential solitude, eroticism, the fact of the body, and the impossibility of turning away. Offering original exegeses of the work of Marsden Hartley, Emily Dickinson, Gertrude Stein, and Marcel Proust, Called Back relies on these artists’ queer aesthetics to tease the author back to life. What might a person tutored as a reader of signs “see” inside breast cancer’s paces, protocols, and regimes? What does the experience occlude, and what can we afford to liberate? The first chapter paves the way for the book’s central emphases: a meditation on the nature of “news” and the new, on noticing, on messages—including those that the body itself relies upon in the assumption of disease—and the interpretive methods we bring to them in medical crisis. Language is paramount for how we understand and act on the disease, how we imagine it, how we experience it, and how we treat it, Cappello argues. Working at the borders of memoir, literary nonfiction, and cultural analysis, Called Back aims to displace tonal and affective norms— infantilizing or moralizing, redemptive, sentimental or cute—with reverie, rage, passionate intensity, intelligence, and humor.

Mike Aul thinks he’s living the good life in Ann Arbor, Michigan. At the age of 35, he’s working as a tattoo artist and running a lucrative business selling his Native American spiritual paintings on-line. Then a reoccurring dream reveals the image of an elderly Native American man from the days of the wild west. Following his instincts, Mike paints the image onto a canvas and it quickly becomes one of his best pieces. When the owner of a Phoenix art gallery invites him to display his work in a South- west exhibition, Mike seizes the opportunity and includes the painting of the elderly Native American in his collection. His life quickly takes a turn for the bizarre when a Navajo grandfather named Arthur White Horse, visits the Phoenix gallery and claims the man in the painting is actually an old friend of Mike’s who is reaching out to him from a past life. “He travels across time with a message for you,” Arthur declares. Mike quickly dismisses the old man’s words as Indian mumbo-jumbo. However, his questions begin to mount when the man in the painting suddenly begins to haunt his every move. Who is this mysterious “out of time” friend and what message could he possibly have for a young Michigan artist? Hoping to find the answers to these questions, Mike accepts Arthur’s invitation to visit him on the Navajo Indian Reservation. What he discovers in the mystical land of the Navajo is more than he bargains for and he returns a very different man!

Being in a social media chat group can be quite useful and entertaining. On the other hand, having too many groups can be quite a pain in the butt - everyone underrates the stress of maintaining a presence in social media chat App groups.. And what about those who you are keen to avoid are in the same chat group as you? Leaving a group without saying anything is considered sacrilege. What if they won't let you leave? You leave the group and then they keep inviting you back. You can check out anytime you want, BUT YOU CAN NEVER LEAVE! Do you have to block every person in that group to have your peace? Here are 1001 - funny, witty, intoxicating and annoying - ways to leave your social media chat groups!! Have you heard of Nuke Options? Do you want to know how you can Troll & Spam Like A Pro!

"In 1981, Chicana literary icons Gloria Anzaldúa and Cherie Moraga published what would become a foundational legacy for generations of feminist women of color-the seminal This Bridge Called My Back: Writings by Radical Women of Color. In celebration of that legacy's 40th anniversary, editors gloria j. wilson, Joni Boyd Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back. A Love Letter contributors illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing"--

A most excellent array of 24 close-up magic miracles, inspired by the books of the 1980's. Introduction by David Regal.

NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom. When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that illuminates the lives of millions through one extraordinary man. “A testament to the triumph of hope over experience, human resilience over tragedy and disaster.” —Michiko Kakutani, The New York Times "An absolute classic.... Compelling, important, and vital to the understanding of the politics and emotional consequences of oppression." —People

As early as 50 AD, Christians had gotten away from knowing who Jesus really is. Our generation is no different. In every decade we, as Americans, lost something important that we couldn't afford to lose: In the 1950's, we lost innocence In the 1960's, we lost respect for authority In the 1970's, we lost love In the 1980's, we lost values In the 1990's, we lost faith In the 2000's, we lost security In the 2010's, we lost hope in the future What can restore what we've lost? Only Jesus. Jesus gave us His name, His friendship, and a commission to accept responsibility for ourselves and for the world. When introduced to His wordsandways we'll rediscover the Jesus who: Wants His enemies won over, not wiped out Wants you to stop playing it safe Believed great things were possible no matter what things are like right now Was full of grace and truth Unleashed compassion Believed no one was too far from God to return to Him Came to seek and to save that which was lost Loves the church Pastor Ray Johnston shares the Jesus of the Bible and how we can be Christians without being jerks. He reveals how the radical message of the gospel calls us to love and serve not only our neighbors but our enemies as well. That’s the Jesus the American Church has missed and needs to meet. Jesus' mission is clear—risk everything in order to take care of people, starting in our home, neighborhoods, cities, and those in need around the world. That's the Jesus the American Church has missed and needs to meet.