Brutally honest in its telling, readers will find themselves engrossed as Joe shares a penetrating insight into the possibilities of transformation, using his own life's painful trials and ultimate success as examples. Joe was an easygoing and sensitive "fat" kid who fell victim to merciless bullying. Humiliation turned to anger and towards a life of "looking out for number one". For most of his teens and early adulthood he became a self-absorbed cheater, drug abuser and alcoholic who cared only for himself and his pleasures. He learned that his abuses came at a high cost, losing his first professional job and unable to maintain any enduring relationship. Then, in 1982 he was critically injured in a car wreck, landing in a chronic pain clinic, barely able to move his body. Lying there in the hospital bed paralyzed by pain he had an epiphany that the key to happiness was not the self-oriented life he was living but on helping others. Slowly, he refocused his mind on healing his broken body, an effort that took almost seventeen years. He transformed himself from near-cripple to a Black Belt in martial arts, long distance bike rider and personal trainer. His transition was not complete, however. He was only able to repair his body because he was able to repair his mind. His thinking changed his physical life, and then went to work on the outside world. He started with fostering troubled gang members and over fourteen years he and his wife helped more than 100 children adolescent teens navigate through troubled upbringing. He then started to share the philosophy of his holistic, mind-based, life-changing system that transformed him from an "everyday Joe", into a happy, caring individual who embraces life and works everyday to help people do the same.

This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.

"This collection features 45 monologues excerpted from contemporary plays and specially geared for actors of color. Robert Uno has carefully selected the monologues so that there is a wide-range of ethnicities included: African American, Native American, Latino and Asian American. Each monologue comes with an introduction with notes on the characters and stage directions to set the scene for the actor."--Publisher.

In response to the stifling socialism of the Canadian health care system and the intolerably long Canadian winters, Dr. Mel Genraich made a life-altering decision: leave Toronto for good, and seek his fortune in Houston, Texas. Little did he know that in the short space of eight years, he would be divorced from his wife and children, remarried to a native Texan (from a staunch Church of Christ family, no less), and would relocate his practice to the Texas Panhandle. Take Two Aspirins, but Don't Call Me in the Morning depicts the travels and struggles of a Canadian Jew living in an almost one-hundred percent Christian world. Genraich tells of his incredible swings of fortune and adaptation to events that change the course of his life. He chronicles his travels in America and abroad-in particular, his transformational journey through Europe as a senior medical student. Brutally honest and sprinkled with his personal observations, Genraich shows that he is not afraid to be honest and controversial, traits that most in his profession decry. This is a memoir that is frank and engaging, far removed from the private enclave of the medical world and yet also a story of that world.

Crime Fiction and hardboiled old time stories. Everyone loves them no matter what time frame it's set in. Crime is as old as time itself.Enjoy 12 tales of crime and old time detective in this nice slick volume bought to you by Dead Guns Press and written by: Teel James Glenn, Rie Sheridan Rose, Bill Baber, Bruce Harris, Tim Tobin, Jerome W. McFadden, Fred Zackel, John H. Dromey, Mark Mellon, Nick Andreychuk, J.J. Sinisi and Donald Glass.

Old Raleigh Road is a play in three acts. It is a serious look at the tobacco issue both economically and morally. A tobacco farmer contracts lung cancer and summons his family home while he deals with his impending death. Ultimately, he makes a decision that will affect his entire family and the tobacco industry in his region. Rednecks, the play, was an adaptation of Batchelor's novel by the same name. Rednecks has also been produced. Rednecks was staged in the very bar, by and among the characters that inspired the broad satire. This play is a satirical approach to the ironies and idiocy of two actual killings stunning in their irrationality. . Boson Books also offers Becoming Americans, a historical novel by Donald Batchelor. For an author bio, photo, reviews, and a reading sample, visit bosonbooks.com.

"Nobody Passes" is a collection of essays that confronts and challenges the very notion of belonging. By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms. "Nobody Passes" explores and critiques the various systems of power seen (or not seen) in the act of "passing." In a pass-fail situation, standards for acceptance may vary, but somebody always gets trampled on. This anthology seeks to eliminate the pressure to pass and thereby unearth the delicious and devastating opportunities for transformation that might create. Mattilda, aka Matt Bernstein Sycamore, has a history of editing anthologies based on brazen nonconformity and gender defiance. Mattilda sets out to ask the question, "What lies are people forced to tell in order to gain acceptance as 'real'." The answers are as varied as the life experiences of the writers who tackle this urgent and essential topic.