An account of Vardaman's extraordinary quest to sight seven hundred species of birds in 1979, covering his exciting journeys throughout the continent and his ultimate frustration of falling one bird short of his goal

The story of how the associate editor of Birding magazine set himself a lofty goal: to become the first person to see half the world’s birds in one year. In 2015, for 365 days, with a backpack, binoculars, and a series of one-way tickets, Noah Strycker traveled across forty-one countries and all seven continents, eventually spotting 6,042 species—by far the biggest birding year on record. This is no travelogue or glorified checklist. Noah ventures deep into a world of chronic sleep deprivation, airline snafus, breakdowns, mudslides, floods, war zones, ecologic devastation, conservation triumphs, common and iconic species, and scores of passionate bird lovers around the globe. By pursuing the freest creatures on the planet, he gains a unique perspective on the world they share with us—and offers a hopeful message that even as many birds face an uncertain future, more people than ever are working to protect them. “Birding Without Borders is light-hearted and filled with stories of exotic birds, risky adventures, and colorful birding companions.”—New York Times Book Review “Highly recommended for anyone interested in travel, natural history, and adventure.”—Library Journal “Even readers who wouldn’t know a marvellous spatuletail from a southern ground hornbill will be awed by Strycker’s achievement and appreciate the passion with which he pursues his interest.”—Publishers Weekly

Bird Song: Identification Made Easy is a field guide to the songs of 125 of the more common birds of eastern North America. The author provides a practical "system" which allows for the identification of birds, by their songs, right in the field. A first for such quick identification! This book will be welcomed by every outdoors person who, at one time or another, has quietly listened to a bird's trill and wondered what species is singing. It is designed to allow all ages and levels of birders to "play detective" in the wilds and learn more about bird song. The book contains an abundance of comprehensive information on bird song, habitat and nesting preferences, and winter and summer ranges, not available in any other single volume.

Follows the 1998 Big Year competition between Sandy Komito, Al Levantin, and Greg Miller, during which the three rivals risked their lives to set a new North American birding record.

Early in 2013 Neil Hayward was at a crossroads. He didn't want to open a bakery or whatever else executives do when they quit a lucrative but unfulfilling job. He didn't want to think about his failed relationship with “the one” or his potential for ruining a new relationship with “the next one.” And he almost certainly didn't want to think about turning forty. And so instead he went birding. Birding was a lifelong passion. It was only among the birds that Neil found a calm that had eluded him in the confusing world of humans. But this time he also found competition. His growing list of species reluctantly catapulted him into a Big Year--a race to find the most birds in one year. His peregrinations across twenty-eight states and six provinces in search of exotic species took him to a hoarfrost-covered forest in Massachusetts to find a Fieldfare; to Lake Havasu, Arizona, to see a rare Nutting's Flycatcher; and to Vancouver for the Red-flanked Bluetail. Neil's Big Year was as unplanned as it was accidental: It was the perfect distraction to life. Neil shocked the birding world by finding 749 species of bird and breaking the long-standing Big Year record. He also surprised himself: During his time among the hummingbirds, tanagers, and boobies, he found a renewed sense of confidence and hope about the world and his place in it.

In the past thirty years biodiversity has become one of the central organizing principles through which we understand the nonhuman environment. Its deceptively simple definition as the variation among living organisms masks its status as a hotly contested term both within the sciences and more broadly. In Eden’s Endemics, Elizabeth Callaway looks to cultural objects—novels, memoirs, databases, visualizations, and poetry— that depict many species at once to consider the question of how we narrate organisms in their multiplicity. Touching on topics ranging from seed banks to science fiction to bird-watching, Callaway argues that there is no set, generally accepted way to measure biodiversity. Westerners tend to conceptualize it according to one or more of an array of tropes rooted in colonial history such as the Lost Eden, Noah’s Ark, and Tree-of-Life imagery. These conceptualizations affect what kinds of biodiversities are prioritized for protection. While using biodiversity as a way to talk about the world aims to highlight what is most valued in nature, it can produce narratives that reinforce certain power differentials—with real-life consequences for conservation projects. Thus the choices made when portraying biodiversity impact what is visible, what is visceral, and what is unquestioned common sense about the patterns of life on Earth.