A collection of poems in which twentieth-century American poet Mary Kinzie reflects upon the natural world, the damages of time, and human memory.

Joe Harper has backpedaled throughout his life. A once-promising guitar prodigy, he's been living without direction since abandoning his musical dreams. Now into his thirties, having retreated from every opportunity he's had to level up, he has lost his family, his best friend, and his own self-respect.

In this exceptional new collection, acclaimed poet Mary Kinzie opens her attention to the landscapes of the earth. Her poems of richly varied line lengths develop phrases at the syncopated pace of the observing mind: “Slag and synthesis and traveling fire / so many ways the groundwaves of distortion / pulse / through bedrock traffic and the carbon chain” she writes in the opening poem, “The Water-brooks.” Here, and throughout, her reflection on the natural world embraces the damages of time to which we can bear only partial witness but to which the human memory is bound. In the collection’s title poem, Kinzie goes on to explore her own romantic griefs alongside the adventures of T. S. Eliot, “inadvertently working on a suntan” as he tours the desert in the roadster of his American girlfriend, whose heart he will break. Kinzie’s conviction that sorrow, too, is a form of passion allows her to lift poems from shattered thoughts and long-ago losses, at times blending prose and verse in a combustible mixture. Determined not to prettify but still expressing fresh wonder at the beauty we stumble across in spite of our shortcomings, Kinzie delivers her bravest work yet in these new poems. O God invisible as air My tears have been my meat sweet because no noxious thing runs with themonly fragrant naïveté of the reflective midday when bank herb and wood flower and water from the pool can best be gathered also the knowledge that these gifts are tenuous and that the mouth and the harp might soon be strange to play

The work of the mature person is to carry grief in one hand and gratitude in the other and be stretched large by them. As seen on All There Is with Anderson Cooper Noted psychotherapist Francis Weller provides an essential guide for navigating the deep waters of sorrow and loss in this lyrical yet practical handbook for mastering the art of grieving. Describing how Western patterns of amnesia and anesthesia affect our capacity to cope with personal and collective sorrows, Weller reveals the new vitality we may encounter when we welcome, rather than fear, the pain of loss. Through moving personal stories, poetry, and insightful reflections he leads us into the central energy of sorrow, and to the profound healing and heightened communion with each other and our planet that reside alongside it. The Wild Edge of Sorrow explains that grief has always been communal and illustrates how we need the healing touch of others, an atmosphere of compassion, and the comfort of ritual in order to fully metabolize our grief. Weller describes how we often hide our pain from the world, wrapping it in a secret mantle of shame. This causes sorrow to linger unexpressed in our bodies, weighing us down and pulling us into the territory of depression and death. We have come to fear grief and feel too alone to face an encounter with the powerful energies of sorrow. Those who work with people in grief, who have experienced the loss of a loved one, who mourn the ongoing destruction of our planet, or who suffer the accumulated traumas of a lifetime will appreciate the discussion of obstacles to successful grief work such as privatized pain, lack of communal rituals, a pervasive feeling of fear, and a culturally restrictive range of emotion. Weller highlights the intimate bond between grief and gratitude, sorrow and intimacy. In addition to showing us that the greatest gifts are often hidden in the things we avoid, he offers powerful tools and rituals and a list of resources to help us transform grief into a force that allows us to live and love more fully.

In this volume, DeWitt Henry has collected some of the finest contemporary writing about loss and the grieving process, essays that explore emotional trauma in finely crafted prose. Debra Spark recounts her sister's death and reflects on all of the ideas that have helped her come to terms with grief. William Gibson writes eloquently of his mother's passing with a new understanding of the cycles of life. Andre Dubus describes the terrible loss of mobility he suffered in a freak accident, and what his pain and disability taught him about the human will. Transported back to her native Antigua and to all the complexities of a difficult childhood, Jamaica Kincaid confronts her brother's ostracism and death from AIDS. All of the pieces reflect, in some aspect, the tenacity, the strength to go forward and to love, that has informed these life journeys andthe resolve that "what matters is not what becomes of us, but what we become." This collection offers a unique perspective on loss, a depth of insight and compassion that only such masterful writers could summon.