Mission paintings and painted sculpture of the Spanish and Mexican eras.

"San Francisco, Santa Monica, Santa Barbara. How did all these Spanish saints' names come to pepper the map of California? This handy reference guide features more than ninety entries on the Golden State's namesake saints. It includes fascinating historical information from Old California on the origins of each name, color illustrations of each saint from paintings and other artworks, and a synopsis of the saint's life."--Cover, p. [4].

Saints and Citizens is a bold new excavation of the history of Indigenous people in California in the late eighteenth and nineteenth centuries, showing how the missions became sites of their authority, memory, and identity. Shining a forensic eye on colonial encounters in Chumash, Luiseño, and Yokuts territories, Lisbeth Haas depicts how native painters incorporated their cultural iconography in mission painting and how leaders harnessed new knowledge for control in other ways. Through her portrayal of highly varied societies, she explores the politics of Indigenous citizenship in the independent Mexican nation through events such as the Chumash War of 1824, native emancipation after 1826, and the political pursuit of Indigenous rights and land through 1848.

This book takes readers into the Mexican-majority neighborhoods of Santa Ana, California, a city once dubbed the hardest place to live in the U.S. Jonathan E. Calvillo explores the challenges faced by Mexican immigrants in this working-class city, highlighting how faith practices are central to social interactions and community building. How does faith shape residents' sense of ethnic identity? Drawing on five years of participant observation and in-depthinterviews, The Saints of Santa Ana offers a rich portrait of a fascinating American community.

Combines narrative history and firsthand Mormon accounts that cast light on the presence of Latter-day Saints in California during the Gold Rush in the middle 1840s. Reprint.