Articles from ethnographers, a linguist, and Native Americans, all addressed to the topic of Native California shamanism in traditional times and in the present. A feast for the scholar or layman interested in the cross-cultural study of religion; in California Indians; or in the beginnings of art, music, and literature. Ken Hedges of the San Diego Museum of Man, for example, discusses the shamanistic aspects of California’s remarkable rock art; Craig Bates of the museum on Yosemite National Park writes of Sierra Miwok shamans in the 20th century; Dorothea Theodoratus and Wintu scholar and artist Frank LaPena present examples of shamanic art and poetry as it persists to the present day; Floyd Buckskin, an Ajumawi, discusses the conflict between New Age shamanism and traditional shamanism; and Jack Norton, a Hupa, discusses the shamanic tradition in northwestern California as it appears to a Native Californian. Seven of the papers presented at the 1990 Conference on Shamanism at California State University, Hayward.

This book gives an account of the religion of the Indians of California. It describes the religion as very similar to that of savage and uncivilized races the world over. Like all such peoples, the California Indians were in an animistic state of mind, in which they attributed life, intelligence, and especially supernatural power, to virtually all living and lifeless things. They lacked no less the ideas and practices of shamanism, the universal accompaniment of animism: namely, the belief that certain men, through communication with the animate supernatural world, had the power to accomplish what was contrary to, or rather above, the events of daily ordinary experience, which latter in so far as they were distinguished from the happenings caused by supernatural agencies, were of natural, meaningless, and, as it were, accidental origin. As in most parts of the world, belief in shamanistic power was centered most strongly on disease and death, which among most tribes were not only believed to be dispellable but to be entirely caused by shamans. In common with the other American Indians, those of California made dancing, and with it always singing, a conspicuous part of nearly all their ceremonies that were of a public or tribal nature. They differed from almost all other tribes of North America by showing a much weaker development of ritualism, and symbolism shading into pictography, which constitute perhaps the most distinctive feature of the religion of the Americans as a whole.

An autobiography of an Indian "pul" or medicine woman, with a brief history of her tribe and five Cahuilla folktales.

Entries identify leaders, shamans, and specific beliefs and practices of various tribes.