The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.

The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.

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Experience the contemporary impressionist landscape paintings of modern artist Erin Hanson.

Intended as the companion art book to a travelling exhibition, An American Impressionist: The Art And Life Of Alson Skinner Clark is the first in-depth scrutiny of the American Impressionist painter Alson Skinner Clark (1876-1949). Featuring 77 colour plates and 10 halftones of Clark's work, ranging from nude figures to bustling urban centres to panoramic scenes from all over the world, An American Impressionist pairs the raw beauty and gentle imagery of the oil on canvas works with a brief discussion of Clark's life, his marriage, travels abroad, the toll World War I took upon him, his obscure retirement and the recent rediscovery of his contributions, particularly to the Impressionist tradition in California, where Clark made a name and lasting memory for himself among the local art community. Especially recommended for collectors, students, and connoisseurs of the Impressionist style. 77 colour & 10 halftone plates