The third edition of the unparalleled reference on natural ingredients and their commercial use This new Third Edition of Leung's Encyclopedia of Common Natural Ingredients: Used in Food, Drugs, and Cosmetics arrives in the wake of the huge wave of interest in dietary supplements and herbal medicine resulting from both trends in health and the Dietary Supplement and Health Education Act of 1994 (DSHEA). This fully updated and revised text includes the most recent research findings on a wide variety of ingredients, giving readers a single source for understanding and working with natural ingredients. The Encyclopedia continues the successful format for entries listed in earlier editions (consisting of source, description, chemical composition, pharmacology, uses, commercial preparations, regulatory status, and references). The text also features an easily accessible alphabetical presentation of the entries according to common names, with the index cross-referencing entries according to scientific names. This Third Edition also features: More than 50 percent more information than the Second Edition, reflecting the greatly increased research activity in recent years A new section on traditional Indian medicine, with information on nine commonly used herbs More than 6,500 references Two new appendices explaining and illustrating the botanical terminology frequently encountered in the text A revised and expanded index Leung's Encyclopedia of Common Natural Ingredients: Used in Food, Drugs, and Cosmetics, Third Edition will continue to provide a comprehensive compilation of the existing literature and prominent findings on natural ingredients to readers with an interest in medicine, nutrition, and cosmetics.

Provocative poetry illustrated by eight up-and-coming photographers. "...quite the most beautiful, evocative, carefully thought-through presentation of its kind."--New York Native.

In his 1859 “Live Oak, with Moss,” Walt Whitman’s unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised “Live Oak, with Moss” poems became “Calamus,” Whitman’s cluster of poems on “adhesive” and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the “Calamus” poems and the little-known manuscript of notebook poems out of which the “Calamus” cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the “Live Oak, with Moss” poems, the 1860 “Calamus” poems, and the final 1881 “Calamus” poems. In addition to honoring the sesquicentennial of the “Calamus” cluster, she celebrates the ongoing legacy of Whitman’s songs of manly passion, sex, and love. The volume begins with Whitman’s elegantly handwritten manuscript of the “Live Oak, with Moss” poems, printed side by side with a typeset transcription and followed by a facsimile of the 1860 version of the “Calamus” poems. The concluding section reprints the final version of the “Calamus” poems from the 1881 edition of Leaves of Grass. In an afterword, Erkkila discusses the radical nature of these poems in literary, sexual, and social history; the changes Whitman made in the “Live Oak” and “Calamus” poems in the post–Civil War and Reconstruction years; the literary, political, and other contests surrounding the poems; and the constitutive role the poems have played in the emergence of modern heterosexual and homosexual identity in the United States and worldwide. The volume closes with a selected bibliography of works that have contributed to the critical and interpretive struggles around Whitman’s man-loving life. One hundred and fifty years after Whitman’s brave decision to speak publicly about a fully realized democracy, his country is still locked in a struggle over the rights of homosexuals. These public battles have been at the very center of controversies over the life, work, and legacy of Walt Whitman, America’s (and the world’s) major poet of democracy and its major singer of what he called “manly love” in all its moods. Together the poems in this omnibus volume affirm his creation of a radical new language designed to convey and affirm the poet’s man love.

This book follows the progress of a writer whose work may best be described as work in progress. He has written a book `Incomplete memoirs of a complete breakdown' and although only partially complete is trying to track down a willing publisher. He regularly visits a trained psychiatrist a one Dr Fu Man-Chu. Has side projects like trying to review Melbourne bars with his friend Dunkin who happens to be drunk at every available opportunity. Watches `Whirled News' , just to keep in the loop concerning the affairs of the world, which as it turns out is one big concern. A comic that enjoys being funny.