When clones of infamous serial killers escape from a secret government facility, it’s up to a former Army Ranger to stop them…with the help of a teenage killer clone. The DNA of the world’s most notorious serial killers—including Ted Bundy, The Son of Sam, and The Boston Strangler—has been cloned by the US Department of Defense to develop a new breed of bioweapon. Now in Phase Three, the program includes dozens of young men who have no clue as to their evil heritage. Playing a twisted game of nature vs. nurture, scientists raise some of the clones with loving families and others in abusive circumstances. But everything changes when the most dangerous boys are set free by their creator. A man with demons of his own, former black ops soldier Shawn Castillo is hot on the clones’ trail. But Castillo didn’t count on the quiet young man he finds hiding in an abandoned house—a boy who has just learned he is the clone of Jeffrey Dahmer. As Jeffrey and Castillo race across the country after the rampaging teens, Castillo must protect the boy who is the embodiment of his biggest fears—and who may also be his last hope. “A wild, peek-through-your fingers scare ride” (Paul Tremblay, author of The Little Sleep), Cain’s Blood melds all-too-plausible science and ripped-from-the-headlines horror into a stunning work about the potential for good and evil in us all.

Former black ops soldier Shawn Castillo teams up with a boy who has just learned he is a clone of Jeffrey Dahmer to try to capture other teenaged clones of serial killers who escaped from a secret government facility with powerful chemical weapons and are on a rampage across the country.

How could he murder a brother, his sister-in-law, his young niece and nephew as they slept in their beds? Jerry Mark was a Peace Corps volunteer, lawyer, 4-H leader, vice-president of his Cedar Falls H.S. senior class when he graduated in 1960.

Fifteen-year-old Jeff Jacobson learns that not only was he cloned from infamous serial killer Jeffrey Dahmer's blood as part of a top-secret government experiment, but there are other clones like him and he is the only one who can track them down before it is too late.

This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs

When Courtney Burke appears at Ponce Marina on a humid summer morning, she leaves Sean O'Brien with a haunting tale. Her story could lead O'Brien down a path that began with a brutal rape forty years earlier and hidden family secrets spawned from the desecration of the innocent. O'Brien learns that Courtney is linked to a series of carnival murders. Police are convinced she's a serial killer, and all of her victims are men. But like the illusions found in the carnival's House of Mirrors, nothing is as it appears. Just beyond the looking glass is where evil watches from a one-way mirror. When the Courtney faces a conviction for murder, O'Brien remembers something she told him, something so strange he'd originally dismissed it. To alter the future, to save Courtney's life, O'Brien must penetrate dark deeds that began in a church forty years earlier.