This book elucidates the birth of the new relationship between the Roman Empire and the Arabs and the rise of its institutional forms. Shahîd discusses the participation of the Arab foederati in Byzantium's wars with her neighbors--the Persians and the Goths--during which those Arab allies contributed to the welfare of the imperium and the ecclesia.

The Arabs played an important role in Roman-controlled Oriens in the four centuries or so that elapsed from the Settlement of Pompey in 64 B.C. to the reign of Diocletian, A.D. 284–305. In Rome and the Arabs Irfan Shahîd explores this extensive but poorly known role and traces the phases of the Arab-Roman relationship, especially in the climactic third century, which witnessed the rise of many powerful Roman Arabs such as the Empresses of the Severan Dynasty, Emperor Philip, and the two rulers of Palmyra, Odenathus and Zenobia. Philip the Arab, the author argues, was the first Christian Roman emperor and Abgar the Great (ca. 200 A.D.) was the first Near Eastern ruler to adopt Christianity. In addition to political and military matters, the author also discusses Arab cultural contributions, pointing out the role of the Hellenized and Romanized Arabs in the urbanization of the region and in the progress of Christianity, particularly in Edessa under the Arab Abgarids.

This book studies the Arabic-Islamic view of Byzantium, tracing the Byzantine image as it evolved through centuries of warfare, contact, and exchanges. Including previously inaccessible material on the Arabic textual tradition on Byzantium, this investigation shows the significance of Byzantium to the Arab Muslim establishment and their appreciation of various facets of Byzantine culture and civilization. The Arabic-Islamic representation of the Byzantine Empire stretching from the reference to Byzantium in the Qur'an until the fall of Constantinople in 1453 is considered in terms of a few salient themes. The image of Byzantium reveals itself to be complex, non-monolithic, and self-referential. Formulating an alternative appreciation to the politics of confrontation and hostility that so often underlies scholarly discourse on Muslim-Byzantine relations, this book presents the schemes developed by medieval authors to reinterpret aspects of their own history, their own self-definition, and their own view of the world.

In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.

This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.