The monograph, based on Greek, Latin and Old French primary sources (especially Anna Komnene's Alexiad and William of Apulia's Gesta Roberti Wiscardi), as well as on a wide range of secondary material available in several languages, attempts a detailed description of the first century of Byzantine-Norman relations, namely from the early 11th to the early 12th century, focusing on the first two Norman expeditions against Byzantium's Ionian and Helladic possessions (1081-1085 and 1107-1108). The diplomatic background related to the intricacies of Byzantium's external affairs in one of its most perplexed historical periods, is discussed throughout in detail, making use of pertinent research from recent decades when studies on Byzantine diplomatic history have progressed considerably. Of particular interest in this book is the prosopography of the period (both Byzantine and Western), while special attention is also given to matters of chronology as well as to the historical geography and topography of the locations involved in the Ionian Sea (Septinsular area), southern Albania and northwestern Hellas (especially Epeiros and western Macedonia). The background of the first two Norman invasions, delineating Byzantine-Norman contacts since the late 1030s until the eve of the first Norman campaign of 1080/81, is also treated by describing some interesting terms and connotations encountered in both Byzantine and Western sources.

This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.

First full-length analysis of Norman military organisation in the Balkans: events, strategy, and tactics.

This book explores the complex history of contact and exchange between Byzantium and the Latin West over a formative period of more than three hundred years, with a focus on the political, ecclesiastical and cultural spheres.

In Warfare and the Miraculous in the Chronicles of the First Crusade, Elizabeth Lapina examines a variety of these chronicles, written both by participants in the crusade and by those who stayed behind. Her goal is to understand the enterprise from the perspective of its contemporaries and near contemporaries. Lapina analyzes the diversity of ways in which the chroniclers tried to justify the First Crusade as a “holy war,” where physical violence could be not just sinless, but salvific. The book focuses on accounts of miracles reported to have happened in the course of the crusade, especially the miracle of the intervention of saints in the Battle of Antioch. Lapina shows why and how chroniclers used these miracles to provide historical precedent and to reconcile the messiness of history with the conviction that history was ordered by divine will. In doing so, she provides an important glimpse into the intellectual efforts of the chronicles and their authors, illuminating their perspectives toward the concepts of history, salvation, and the East. Warfare and the Miraculous in the Chronicles of the First Crusade demonstrates how these narratives sought to position the crusade as an event in the time line of sacred history. Lapina offers original insights into the effects of the crusade on the Western imaginary as well as how medieval authors thought about and represented history.

​This book provides a new military history of Byzantine emperor Alexios I Komnenos's campaigns in the Balkans, during the first fourteen years of his rule. While the tactics and manoeuvres Alexios used against Robert Guiscard's Normans are relatively well-known, his strategy in dealing with Pecheneg and Cuman adversaries in the region has received less attention in historical scholarship. This book provides a much-need synthesis of these three closely linked campaigns – often treated as discrete events – revealing a surprising coherence in Alexios' response, and explores the position of Byzantium's army and navy on the eve of the First Crusade.

War in Eleventh-Century Byzantium presents new insights and critical approaches to warfare between the Byzantine Empire and its neighbours during the eleventh century. Modern historians have identified the eleventh century as a landmark era in Byzantine history. This was a period of invasions, political tumult, financial crisis and social disruption, but it was also a time of cultural and intellectual innovation and achievement. Despite this, the subject of warfare during this period remains underexplored. Addressing an important gap in the historiography of Byzantium, the volume argues that the eleventh century was a period of important geo-political change, when the Byzantine Empire was attacked on all sides, and its frontiers were breached. This book is valuable reading for scholars and students interested in Byzantium history and military history.