The most promising link would come from utilizing local cell phone networks, which are proliferating even among poor countries. Access to data routinely collected by such networks can form the basis for security services such as enhanced-911 and forensics. The cell phones of a well-wired citizenry can be tantamount to sensor fields in settled areas. They can link indigenous forces with each other and with U.S. forces without interoperability problems; they can also track the responses of such forces to emergencies. Going further, outfitting weaponry with video cameras would bolster surveillance, provide lessons learned, and guard against operator misconduct. Establishing a national Wiki can help citizens describe their neighborhoods to familiarize U.S. forces with them and can promote accountable service delivery. All such information can improve counterinsurgency operations by making U.S. forces and agencies far better informed than they are at present.

Cynics suggest that American manufacturing has reached the end of its road and is the price we pay for "globalization." Alan Uke sees it differently. In Buying America Back he outlines solutions to put control back in the hands of American consumers by helping them to make wise buying choices that help our economy and help to create jobs. Mr. Uke was the architect of the successful federal Automobile Smog Index. He is now proposing a bill before Congress to create a new country of origin label for manufactured goods. This informative but simple tag would help reinvigorate American industry by educating consumers to use one of the most effective tools they have—the power of the pocketbook. Surprising and enlightening, Buying America Back encourages us to take action to do our part as responsible consumers and conscientious citizens. American prosperity is not a thing of the past, and this book shows us the way back.

A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

"The battle for Gaza revealed an extremist strategy: hiding in cities and provoking attack to cause civilian deaths that can be blamed on the attacking forces. The U.S. and allied militaries, having no options but lethal force or no options at all, are ill-equipped to defeat this strategy. The use of lethal force in dense populations can harm and alienate the very people whose cooperation U.S. forces are trying to earn. To solve this problem, a new RAND study proposes a "continuum of force" -- a suite of capabilities that includes sound, light, lasers, cell phones, and video cameras. In missions ranging from counterinsurgency to peacekeeping to humanitarian intervention to quelling disorder, the typical small unit of the U.S. military should and can have portable, easy-to-use, all-purpose capabilities to carry out its missions without killing or hurting civilians that may get in the way. The technologies for these capabilities are available but have not been recognized as a solution to this strategic problem and, consequently, need more high-level attention and funding." -- provided by publisher.

Winner of the NAACP Image Award for Fiction From Kiese Laymon, author of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi. Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).