Written in a hip and entertaining style in the language of the Web generation, this book guides the aspiring videomaker to create his own series for the Internet, from an initial series idea through writing, production, and uploading and marketing a polished pilot.

Learn all about the crazy history of technology in this second Fact Attack book featuring over 250 awesomely incredible, weird, and crazy facts! Did you know more people have cell phones than toothbrushes? That Google answers about a billion questions a day? Or that Alexander Graham Bell wanted the standard telephone greeting to be "Ahoy"?Discover these incredible facts and more in the next Fact Attack book, all about inventions and technology. Fact Attack is an exploration of the most amazing and awe-inspiring facts about technology and inventions throughout history. Heavily designed with different approaches on each page, the style is dynamic, fresh, and in your face. Whether you flip to a page to learn a digestible fact or read it from beginning to end, this is a book a reader will return to time and again.

Web series or "webisodes" are a transitional storytelling form bridging the production practices of broadcast television and Internet video. Shorter than most television episodes and distributed on online platforms like YouTube, web series both draw on and deviate from traditional TV storytelling strategies. In this thesis, I compare the production and storytelling strategies of "derivative" web series based on broadcast television shows with "original" web series created for the Internet, focusing on the evolution of scripted entertainment content online. I begin by reviewing of the relevant academic literature in television studies, production studies, transmedia, and television storytelling to situate web series in a theoretical context. I then undertake an exploration of web series storytelling strategies. I compare the types of narratives told by derivative and original web series, investigating how the form has evolved to date, and which genres dominate the landscape. Finally, I focus on web series production, using John Caldwell's concept of "aesthetic salaries" as a lens to investigate creators' motivations for creating online content. I look into original web series production, exploring the aspirations of creators, as well as how they measure success. I also investigate the politics involved in the production of derivative web series-particularly the tensions between guild writers and non-union marketing "creatives," both of whom stake professional claims on web content.

This overview describes the technology of digital television broadcasting. It gives you a thorough technical description of the underlying principles of the DVB standard and the various steps of signal processing. Also included is a complete technical glossary of terms, abbreviations, and expressions.

This book constitutes the refereed proceedings of the 11th Iberoamerican Conference on Applications and Usability of Interactive TV, jAUTI 2022, Cordoba, Spain, November 17–18, 2022. The 9 full papers included in this book were carefully reviewed and selected from 25 submissions. They were organized in topical sections as follows: Content Creation and Interaction, Audiovisual Consumption, e-inclusion, Digital Infrastructure.

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A fascinating, accessible and expertly written introduction to the most important invention in human history: the internet.