A fascinating collaborative investigation of some of the earliest photographs of Latin America by the renowned 19th century photographer Eadweard Muybridge

A new, compact edition of Sean Scully’s photographs, featuring horizontal and vertical shards of limestone that echo his painted work and reveal a creative process best expressed through abstract shapes. Sean Scully, one of today’s most esteemed painters and an accomplished photographer, spent time on the remote Aran Islands, off the west coast of Ireland, photographing the ancient drystone walls that crisscross the stark and barren landscape. Sean Scully brings together his sensitive images, revealing the unexpected yet monumental beauty of these centuries-old structures that meander across the windswept and rocky islands. In their form and spirit, the photographs shed light on Scully’s own sensibilities as an artist. They also capture the stillness and serenity of this rugged, timeless place on the edge of Europe. This new edition features an evocative text by the award-winning Irish writer Colm To´ibi´n, which conveys the mysterious beauty of the three Aran Islands. This volume is a must-have for Sean Scully fans, as well as anyone with an interest in Ireland or photography.

Imagine a City That Remembers grew out of a series of articles and photographs published in the Albuquerque Tribune in 1998 and 1999. This expanded and updated collection revisits Albuquerque nearly twenty years after the original articles were written. It juxtaposes historic and contemporary photographs of Albuquerque to show diverse moments in the city’s history and development. The authors, ardent defenders of the vitality of Albuquerque’s past, contend that the city is still small enough to be in touch with its history and argue that what makes Albuquerque a great place is the continued presence of its strong traditions. They further believe that preserving Albuquerque’s natural and cultural heritage is critical to the city’s future. Throughout, both express a deep understanding for this complicated, beautiful, and often misunderstood place.

This book critically examines how movies that feature real or imagined explorers and expeditions creatively feature the geography of Latin America. It focuses on how locales are scripted into film plots and artistically depicted, and demonstrates that place is as important as any character in a film, especially in this genre. Nineteen key films are analyzed. Some, like Aguirre, the Wrath of God, Fitzcarraldo, The Other Conquest, Embrace of the Serpent, and The Lost City of Z are based on the exploits of real explorers. Others are fictional, including Apocalypto, Indiana Jones and the Kingdom of the Crystal Skull, and Dora and the Lost City of Gold. The author also discusses the evolution of exploration-discovery films, including trends that will likely be found in forthcoming movies.

Published in association with Phoenix Art Museum and Center for Creative Photography.

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.