This timely and important book focuses on the controversial issue of SLAPP cases – Strategic Lawsuits Against Public Participation – which are designed to censor, intimidate and silence critics by burdening them with aggressive opposing lawyers, heavy legal costs and enquiry agents until they abandon the case. David Hooper, veteran media lawyer, explores how the power of money enabled the very wealthy to crush their critics and outlines the tactics they used. He examines how billionaire oligarchs, often ex-convicts and linked to organised crime, have tried to launder their reputation in this country by suing for libel, and how they have found lawyers only too happy to pocket their roubles. Hooper describes his experience with some of these oligarchs, including Boris Berezovsky when Hooper needed an armed bodyguard while collecting evidence in Moscow. It was a case where both plaintiffs were ultimately murdered, as was his client, the editor of Forbes Russia. The UK also has its home-grown Slappsters, of whom Nadhim Zahawi and Mohamed Amersi are the most recent examples. They also come from Greece, Sweden, Azerbaijan, Kazakhstan, Malaysia, Malta and the United States. Hooper describes how those with something to hide tried, with varying degrees of success, to stop you knowing about it, and how their lawyers were willing to help them. The well-paid legal profession does not emerge with credit.

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: “Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.” “He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It’s what’s happening now.” –The American Record Guide “There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.”

Partners in crime with magical talents must stick together in order to survive in this “energetic and original” YA historical fantasy (Kirkus, starred review). Boston, 1919. Corinne and Ada are hemopaths whose “afflicted” blood gives them the ability to create illusions through art. They’ve been best friends ever since the infamous gangster Johnny Dervish recruited them into his circle. By night they perform for packed crowds at Johnny’s club, Cast Iron. And by day they con Boston’s elite. When a job goes wrong and Ada is imprisoned, she realizes how precarious their position is. After she escapes, two of the Cast Iron’s hires are shot, and Johnny disappears. With the law closing in, Corinne and Ada are forced to hunt for answers, even as betrayal faces them at every turn.

Relations between the press and politicians in modern America have always been contentious. In The Press Gang, Mark Summers tells the story of the first skirmishes in this ongoing battle. Following the Civil War, independent newspapers began to sep