Buster sends postcards to his friends back home when he and his father visit an international food festival in Wisconsin, where he meets six girls who will be performing a traditional Hmong dance.

Buster sends postcards to his friends back home when he and his father visit an international food festival in Wisconsin, where he meets six girls who will be performing a traditional Hmong dance.

Buster sends postcards to his friends back home when he and his father visit an international food festival in Wisconsin, where he meets six girls who will be performing a traditional Hmong dance.

Belle loves to dance and dreams of becoming a famous ballerina. Belle needs a partner to dance with but no boys do ballet and she cannot dance alone. Buster is a Street Dance, Hip-Hop dancer and can do lots of tricks. Belle is not keen on Buster’s dancing but after showing some of his moves, Belle agrees to give him the chance. Follow their story from meeting, their first class together, travelling to London to meet the famous dancers Jazz and Domino and perform in the top London competition – Bunnies Got To Dance. Will they win after Buster makes a huge mistake.......? Where will they go next.......?

In a sampling of stage and screen-ready projects, T K Wallace shares fourteen episodes within four sections. In the roadhouse story, Just Off the Highway, Wallace offers insight into the lives of diverse characters who conduct as much daytime community business as they do nightly drinking and dancing. In Free Lance Writer, Wallace shares one-act plays set in Central Park West where a young hawker sells fiction and nonfiction stories for a living, his efforts boosted by an interesting ploy to lure his buyers. The Genie Journals offers an intriguing idea that genies can improve humankind by granting worthy wishes. In Crockers, Wallace profiles a low-country family comedy set along the Carolina line where boiled peanuts and bottles of moonshine help make each day a little better. Air Plays is a volume of entertaining writing ventures that profile eccentric characters creatively addressing life, each in their own whimsical way.

During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."