"From 1949-1958, the New York Yankees won the World Series seven times. And in 1957, the last team anybody would have thought of to challenge New York City's baseball supremacy would have been Milwaukee. But who better to beat the Yankees than the Midwest guys at the corner bar? The Braves became America's team, a happy band where color and the Cold War didn't matter, where the Cold One created the close bond between the fans and the team. Young sluggers Hank Aaron and Eddie Mathews proved that brotherhood meant as much as home runs. Legendary pitcher Warren Spahn teamed with Yankee-killer Lew Burdette for a climactic finish. 'Bushville' was ready to strike a blow for the rest of America, and the Milwaukee Braves were about to turn the sports world upside down"--

The rip-roaring story of baseball's most unlikely champions, featuring interviews with Henry Aaron, Bob Uecker and other members of the Milwaukee Braves, Bushville Wins! takes you to a time and place baseball and the Heartland will never forget. "Bushville hits the sweet spot of my childhood, the year my family moved to Wisconsin and the Braves won the World Series against the Yankees, a team my Brooklyn-raised dad taught us to hate. Thanks to John Klima for bringing it all back to life with such vivid detail and energetic writing." -- David Maraniss, New York Times bestselling author of Clemente and When Pride Still Mattered In the early 1950s, the New York Yankees were the biggest bullies on the block. They were invincible: they led the New York City baseball dynasty, which for eight consecutive years held an iron grip on the World Series championship. Then the Boston Braves moved to Milwaukee in 1953, becoming surprise revolutionaries. Led by visionary owner Lou Perini, the Braves formed a powerful relationship with the Miller Brewing Company and foreshadowed the Dodgers and Giants moving west, sparking continental expansion and the ballpark boom. But the rest of the country wasn't sold. Why would a major league team move to a minor league town? In big cities like New York, Milwaukee was thought to be a podunk train station stop-off where the fans were always drunk and wouldn't know a baseball from a beer. They called Milwaukee Bushville. The Braves were no bushers! Eddie Mathews was a handsome home run hitter with a rugged edge. Warren Spahn was the craftiest pitcher in the business. Lew Burdette was a sharky spitball artist. Taken together, the Braves reveled in the High Life and made Milwaukee famous, while Wisconsin fans showed the rest of the country how to crack a cold one and throw a tailgate party. And in 1954, a solemn and skinny slugger came from Mobile to Milwaukee. Henry Aaron began his march to history. With a cast of screwballs, sluggers and beer swiggers, the Braves proved the guys at the corner bar could do the impossible - topple Casey Stengel's New York baseball dynasty in a World Series for the ages.

The town of Bethel is located in Sullivan County, 90 miles northwest of New York City. Bethel was established on March 27, 1809, and the first hotel in the county opened in the hamlet of White Lake in 1846. Hundreds of hotels were to follow, from the Arlington to the Woodlawn Villa. During the silver and golden ages, White Lake became fashionable, and many people flocked to the clean water of the lake, fresh mountain air, and grand hotels. The tanneries, gristmills, and sawmills were prosperous during the 1800s. In 1969, Bethel was the site of the Woodstock Music and Arts Fair that drew nearly 500,000 people to the town. Through vintage images, Bethel recalls this town's vibrant past.

Over the past fifteen years, people in the United States—and dissidents in particular—have witnessed a steady escalation of the National Security State, including invasive surveillance and infiltration, indiscriminate police violence, and unlawful arrests. These concerted efforts to spy on Americans and undermine meaningful social change are greatly enhanced by the coordination of numerous local, state, and federal agencies often operating at the behest of private corporations. Normally associated with the realities of a post-9/11 world, Crashing the Party shows how these developments were already being set in motion during the Republican National Convention (RNC) protests in 2000. It also documents how, in response, dissidents confronted new forms of political repression by pushing legal boundaries and establishing new models of collective resistance. Crashing the Party explains how the events of 2000 acted as a testing ground in which Philadelphia Police Commissioner John Timoney was able to develop repressive methods of policing that have been used extensively across the U.S. ever since. At the same time, these events also provided a laboratory for the radical, innovative, and confrontational forms of legal support carried out by R2K Legal, a defendant-led collective that raised unprecedented amounts of money for legal defense, used a unique form of court solidarity to overcome hundreds of serious charges, and implemented a PR campaign that turned the tide of public opinion in favor of dissidents. While much has been written about the global-justice era of struggle, little attention has been paid to the legal struggles of the period or the renewed use of solidarity tactics in jail and the courtroom that made them possible. By analyzing the successes and failures of these tactics, Crashing the Party offers rare insight into the mechanics and concrete effects of such resistance. In this way, it is an invaluable resource for those seeking to confront today’s renewed counterintelligence tactics.

Jimmy's garden on the Lower East Side of Manhattan--an assortment of stones and garbage bags, five tires, a chair, a skid, a refrigerator shelf, some ailanthus trees and goldfish, a wooden fence, and a pond with water carried by hand from a nearby fire hydrant--was recently bulldozed by the city. Jimmy then disappeared. Anna's garden is surrounded by a tall chainlink fence and filled with a menagerie of dolls and stuffed animals. The animals are whole, the dolls are maimed. Anna is a recluse who speaks to no one. The neighbors say she was in a concentration camp as a child. Gardens have always been associated with wealth and leisure, viewed as an addition to home. In this remarkable book a landscape architect and a photographer show us, in word and pictures, gardens built by homeless or impoverished New York City inhabitants. Like traditional gardens, these spaces are designed for pleasure, social activity, or private retreat. Unlike traditional gardens, they are connected to a more active and ephemeral use of the land. Transitory gardens speak the language of our times: here we find the reuse of nearly everything discarded, a sparing use of water and plant materials, an economical treatment of space, and a penchant for icons, toys, flags, and symbols of freedom and nationality. The gardens expand our definition of what makes a garden and what its design means for its creator. Diana Balmori's commentary and Margaret Morton's photographs combine with the garden-makers' own descriptions to encourage us to take note of gardens grown in unlikely places, on abandoned, littered lots, bounded by debris. By focusing on what homeless people make not for material comfort but from social and spiritual need, the book offers insight into both the meaning of landscape and the place of a garden in the life of an individual under duress.