Outback and Out West examines the ecological consequences of a settler-colonial imaginary by comparing expressions of settler colonialism in the literature of the American West and Australian Outback. Tom Lynch traces exogenous domination in both regions, which resulted in many similar means of settlement, including pastoralism, homestead acts, afforestation efforts, and bioregional efforts at “belonging.” Lynch pairs the two nations’ texts to show how an analysis at the intersection of ecocriticism and settler colonialism requires a new canon that is responsive to the social, cultural, and ecological difficulties created by settlement in the West and Outback. Outback and Out West draws out the regional Anthropocene dimensions of settler colonialism, considering such pressing environmental problems as habitat loss, groundwater depletion, and mass extinctions. Lynch studies the implications of our settlement heritage on history, art, and the environment through the cross-national comparison of spaces. He asserts that bringing an ecocritical awareness to settler-colonial theory is essential for reconciliation with dispossessed Indigenous populations as well as reparations for ecological damages as we work to decolonize engagement with and literature about these places.

This engaging reference examines the history of, the search for, and the discovery of Australia, taking full account of the evidence for and the speculation surrounding possible earlier contacts by the Ancient Egyptians, Arabs, and Chinese seamen. Day brings the expeditions to life, expressing the desires that drove great sea captains deeper into turbulent waters searching for caches of spice, silks, and precious metals. Covers a wide variety of topics, including _ Seamen from eight nations _ The recovery of storm wrecked ships _ Diplomatic treaties _ Priority of discovery disputes _ Military and civil explorers and surveyors _ Topographical features _ Geographical terms and places _ Rivers and river system

Kitchener's scapegoat or a murderous war criminal? The truth about Breaker Morant revealed

The frontier is one of the most pervasive concepts underlying the production of national identity in Australia. Recently it has become a highly contested domain in which visions of nationhood are argued out through analysis of frontier conflict. DISLOCATING THE FRONTIER departs from this contestation and takes a critical approach to the frontier imagination in Australia. The authors of this book work with frontier theory in comparative and unsettling modes. The essays reveal diverse aspects of frontier images and dreams - as manifested in performance, decolonising domains, language, and cross-cultural encounters.

Kathy Sullivan never backed away from a challenge. Starting a new job as a company pilot in the blistering heat of Alice Springs in the 1980s, she never expected the cool reception from some quarters. With a sizzling attraction to a rugged local man, Kathy soon realizes that the Red Centre holds more than just challenges for her career – it holds the key to her heart. A young woman from the city has no place in the bush, and Alex Woodleigh will not let Kathy forget it. How could she have known she was stepping into a dead man’s shoes? She almost got away with proving Alex wrong, until the mistake that threatened her life. In the sky, she’s in full command, but on the ground she’s in danger of losing her cool. The Red Heart is a gripping tale of passion and danger in the outback, sure to leave you rivetted and wanting more.

The author’s journey to becoming a Bushman shaman and healer and how this tradition relates to shamanic practices around the world • Explores the Bushmen’s ecstatic shaking and dancing practices • Written by the first non-Bushman to become fully initiated into their healing and spiritual ways In Bushman Shaman, Bradford Keeney details his initiation into the shamanic tradition of the Kalahari Bushmen, regarded by some scholars as the oldest living culture on earth. Keeney sought out the Bushmen while in South Africa as a visiting professor of psychotherapy. He had known of the Kalahari “trance dance,” wherein the dancers’ bodies shake uncontrollably as part of the healing ceremony. Keeney was drawn to this tradition in the hope that it might explain and provide a forum for his own ecstatic “shaking,” which he had first experienced at the age of 19 and had tried to suppress and hide throughout his adult life. For more than a dozen years Keeney danced with Bushmen shamans in communities throughout Botswana and Namibia, until finally becoming fully initiated into their doctoring and spiritual ways. Through his rediscovery of the “rope to God” in a Bushman shaman dream, he offers readers accounts of his shamanic world travels and the secrets of the soul he learned along the way. In Bushman Shaman Keeney also reveals his work with shamans from Japan, Tibet, Bali, Thailand, Australia, and North and South America, providing new understandings of other forms of shamanic spiritual expression and integrating the practices of all these traditions into a sacred circle of one truth.