Bursting at the Seams: A Collection of Poetry by Chantel Massey uses vivid and vibrant imagery as an ode to womanhood as a black woman. Massey inspires and moves in her poetry through storytelling to foster a language and dialogue about rape culture effects on family, fighting illness, gossip, sexuality, being in love, falling out of love, womanhood, identity, spirituality, religion, about blackness and what it means to be black and/or safe in America as woman of color. She explores the complexities of intersectionality through poetry and lessons learned from her own experience walking into womanhood as a Black woman.

Violet never wanted to move to Perfect. Who wants to live in a town where everyone has to wear glasses to stop them going blind? And who wants to be neat and tidy and perfectly behaved all the time? But Violet quickly discovers there's something weird going on in the town – she keeps hearing voices, her mam is acting strange and her dad has disappeared. When she meets Boy she realizes that her dad is not the only person to have vanished... and that the mysterious Watchers are guarding a perfectly creepy secret!

A Sight & Sound Book of the Year Jez Stewart charts the course of this extraordinarily fertile area of British film from early experiments with stop-motion and the flourishing of animated drawings during WWI. He reveals how the rockier interwar period set the shape of the industry in enduring ways, and how creatives like Len Lye and Lotte Reiniger brought art to advertising and sponsored films, building a foundation for such distinctive talents as Bob Godfrey, Alison De Vere and George Dunning to unleash their independent visions in the age of commercial TV. Stewart highlights the integral role of women in the industry, the crucial boost delivered by the arrival of Channel 4, the emergence of online animation and much more. The book features 'close-up' analyses of key animators such as Lancelot Speed and Richard Williams, as well as more thematic takes on art, politics and music. It builds a framework for better appreciating Britain's landmark contributions to the art of animation, including Halas and Batchelor's Animal Farm (1954), Dunning's Yellow Submarine (1968) and the creations of Aardman Animations.