This is a reprint of a classic horror novel, Burnt Offerings by Robert Marasco with a new introduction and artwork.

Anita Blake is a vampire hunter. But when someone else sets his sights on her prey, she must save them both from the inferno.

A collection of daily devotionals of substance. This lovely gift edition includes a meditation and poem for each day of the year, plus a yearly Scripture-reading plan.

Christ as seen in the OfferingsThe Burnt Offering. The Meat Offering. The Peace Offering. The Sin and Trespass Offerings. The Red Heifer.

Collects Cable/Deadpool #7-12. A floating city promises hope for humans and mutants alike! But if Cable plans to be Earth's Savior, will Deadpool accept the role of Judas? Plus: the traumatic, tragic, and tantric events of "The Burnt-Offering" have left Cable - well, "regurgitated" - now Deadpool has to save the day! Even if it means confronting his fear of very big-headed villains! And the challenge of finding someone who can fix technology from thousands of years in the future.

Winner of the 2022 Gerald Lampert Memorial Award presented by the League of Canadian Poets A collaboration between poet Alisha Kaplan and artist Tobi Aaron Kahn, Qorbanot—the Hebrew word for "sacrificial offerings"—explores the concept of sacrifice, offering a new vision of an ancient practice. A dynamic dialogue of text and image, the book is a poetic and visual exegesis on Leviticus, a visceral and psychological exploration of ritual offerings, and a conversation about how notions of sacrifice continue to resonate in the twenty-first century. Both from Holocaust survivor families, Kaplan and Kahn deal extensively with the Holocaust in their work. Here, the modes of poetry and art express the complexity of belief, the reverberations of trauma, and the significance of ritual. In the poems, the speaker, offspring of burnt offerings, searches for meaning in her grandparents' experiences and in the long tradition of Orthodox Judaism in which she was raised. Kahn's paintings on handmade paper, drawn from decades of his career as an artist, have not previously been exhibited or published. They reflect his quest to distill a legacy of trauma and loss into enduring memory. With a foreword by James E. Young and essays by Ezra Cappell, Lori Hope Lefkovitz, and Sasha Pimentel, the book presents new directions for thinking about what sacrifice means in religious, social, and personal contexts, and harkens back to foundational traditions, challenging them in reimagined and artistic ways.