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The original edition of A Season of Inquiry, first published in 1986, offered the public an insider's account of the workings of the Church investigation and of the nation's espionage agencies, including the CIA's covert action against the democratically elected regime of Salvador Allende in Chile. In this new edition the author, then a special assistant to Senator Church, revisits the circumstances surrounding the investigation and subsequent, shocking report and reminds us its continuing relevance—in instances such as the Iran-Contra investigation, the 9/11 and Iraqi WMD intelligence failures, the Edward Snowden affair, and, most recently, the US Senate Torture Report. A Season of Inquiry Revisited details a moment that was at once a high-water mark for intelligence accountability in the United States and a low point in the American people's trust of the agencies sworn to protect them. Coming on the heels of the Watergate scandal, the wrenching experience of the Vietnam War, and the release of the Pentagon Papers, revelations of domestic spying sent a shock wave through the nation and spurred the political establishment to action. While a White House panel focused narrowly on CIA spying at home, the Church Committee enlarged its investigation to include the FBI, the National Security Agency, and a host of other primarily military espionage services, as well as CIA assassination plots around the world. Johnson describes the political players and their pursuit of information, the abuses they discovered, and the remarkable reports they compiled, chronicling a litany of disquieting operations carried out against American citizens and foreign leaders in Latin America and Africa. With a new preface and postscript along with an updated chronology and appendix, this new edition revisits a moment of reckoning in the halls of power. The nation has now arrived at a time when the lessons of the Church Committee warrant special remembering.

Franziska König examines the anatomy of uncertainty-governance choice relationships from different theoretical angles, including transaction costs economics, resource-based theory, and real options theory. The book provides, furthermore, comprehensive empirical insights both from secondary data examined with a “vote-counting” analysis as well as from primary data, collected through a “policy-capturing” study.

A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.