Gurgen Marhari's controversial novel, Burning Orchards, is set in the Ottoman city of Van, Eastern Anatolia, during the period leading up to the Armenian rebellion of 1915 and relates the epic story of the events which culminated in the catastrophe of the following years, wonderfully told by one of the great writers emerging from Soviet Armenia. Written with an abiding humanity, Mahari's characters are portrayed as complex and flawed - neither hero nor villain but keenly observed and evoked with a tender humour. Burning Orchards offers a version of events leading up to the siege of Van different from the received, politically charged accounts, even daring to reflect something of the loyalty many Ottoman Armenians had felt towards the former Empire. First published in Armenian in 1966 after Mahari's long exile in Siberian, Burning Orchards (Ayrvogh Aygestanner), was banned and publicly burned in the streets of Yerevan, even though the authorities in Moscow had eventually agreed to its publication. Much against the wishes of his wife he tried to rewrite the novel, removing passages criticising some Armenian political parties and leaders, but dying before it could be finalised. The translation offered here is of the banned 1966 publication. A brilliant work, epic in scope and masterful in its depiction of the cruel displacement of an ancient people from their historic homeland, Burning Orchards is a re-discovered classic.

Dylan Thomas’s magisterial stories all in one volume, available in a beautiful new paperback edition. This gathering of all Dylan Thomas’s stories—ranging chronologically from the dark, almost surrealistic tales of Thomas’s youth to such gloriously rumbustious celebrations of life as “A Child’s Christmas in Wales” and “Adventures in the Skin Trade”—charts the progress of “The Rimbaud of Cwmdonkin Drive” toward his mastery of the comic idiom. Here, too, are stories originally written for radio and television and, in a short appendix, the schoolboy pieces first published in the Swansea Grammar School Magazine. A high point of the collection is Thomas’s “Portrait of the Artist as a Young Dog,” a vivid collage of memories from his Swansea childhood that combines the lyricism of his poetry with the sparkle and sly humor of Under Milk Wood. Also here is the fiction from Quite Early One Morning, a collection planned by Thomas shortly before his death. Altogether there are more than forty stories, providing a rich and varied literary feast and showing Dylan Thomas in all his intriguing variety–somber fantasist, joyous word-spinner, and irrepressible comedian of smalltown Wales.

The majority of each report consists of articles dealing with insects, plant diseases, etc. in relation to the plant-life of Indiana.