A strongly issue-led play, Burning Monkey relates the story of a teenage couple and their interactions with an older war veteran, trying to rebuild his fractured relationship with his daughter. While their exchanges initially show a hostile and unsympathetic clash of generations, it soon becomes apparent that they share similar pain - based on their damaged family relationships, and absent parents/children - and they begin to feel empathy for one another's plight. In the background, the presence of war looms; the character of Old is haunted by memories of his time as a soldier and the character of Monkey looks forward to a time when he can escape the depressing realities of his life and join the army. In the midst of this, Shell is fifteen, madly in love with Monkey, and pregnant with his child. Her attempts to try and make the irresponsible, immature Monkey stay with her become increasingly desperate. Burning Monkey is a play that raises important issues for teenagers, addressing themes such as war, violence, separated families and responsibility.

A strongly issue-led play, Burning Monkey relates the story of a teenage couple and their interactions with an older war veteran, trying to rebuild his fractured relationship with his daughter. While their exchanges initially show a hostile and unsympathetic clash of generations, it soon becomes apparent that they share similar pain - based on their damaged family relationships, and absent parents/children - and they begin to feel empathy for one another's plight. In the background, the presence of war looms; the character of Old is haunted by memories of his time as a soldier and the character of Monkey looks forward to a time when he can escape the depressing realities of his life and join the army. In the midst of this, Shell is fifteen, madly in love with Monkey, and pregnant with his child. Her attempts to try and make the irresponsible, immature Monkey stay with her become increasingly desperate. Burning Monkey is a play that raises important issues for teenagers, addressing themes such as war, violence, separated families and responsibility.

Winner of the Scottish Children's Book Award 2013 Younger Readers (8-11 years) category. I'm not mad, ok? I know this sounds off the wall, but I was just walking to the corner shop and this girl almost got hit by a car. She grabbed hold of me and told me her name's Agatha Black and she's here from the past. At first I thought she was nuts but maybe it's true. She doesn't get traffic, she's freaked out by photos and she's terrified of TV. And she knows about the past -- body snatchers, making fires, and pet monkeys. Her dad does a bit of time travel. But obviously, he's not very good at it. I mean, he got her lost. Now it's me that has to get her back ? to 1812!

'Grady's style is loose, colorful, challenging and fun. I sometimes thought of Orwell's novel 1984, sometimes of the Dylan song 'Desolation Row'' Patrick Anderson, The Washington Post 'Grady is a master of intrigue' John Grisham Set in 1959, the 'year the music died', The Smoke in Our Eyes is a cinematic, clock-ticking saga set in a small Montana town. When a fatal car accident shatters ten-year-old Lucas's world, he finds himself confronting crime and vengeance, humour and heroism, all against the backdrop of growing up. Alongside the tightly written drama of Lucas and his family, Grady, author of the classic Condor series, evokes a heady mood and sense of place. From the Space Race and the first warnings of global climate change, to the brutal racism of segregation and the hope of a new generation to move us forward, The Smoke in Our Eyes is a fresh rending of rural noir that captures both an intimate story and the volatility of mid-century America.

A BOY AND HIS DEMON Ben Carter, pet care specialist, is hired to walk a Shiba Inu named Toby. Unbeknownst to Ben, Toby is no ordinary dog but an “inugami” - an immortal demon born in feudal Japan and bred for only one purpose...murder. A mysterious cult seeks to capture the inugami and harness its power for evil. With the help of an elderly luchador and a cop with a heart of gold, Ben must protect Toby and uncover the secret of the Tengu before the cultists can unleash the beast and the bloodlust claims the inugami once more.

A rare adventure with the last Stone Age hunting and gathering tribe in Africa. In 1997 James Stephenson arranged to have almost a full year free, a year he wanted to spend among the Hadzabe in Tanzania. He had visited these people several times previously and with every trip his fascination with them deepened, for the Hadzabe are the last hunters and gatherers still living a traditional life in East Africa. At the age of 27, Stephenson intended to spend the year living among the Hadzabe, and, more importantly, living their life, hunting what they hunted, eating what they ate, participating in their dances and ceremonies, consulting with their medicine men and learning their myths and dreams. Armed only with his camera, his art supplies and the open-hearted courage of youth, he set out to visit with a people who have changed little since the Stone Age. He wanted to glimpse the world as they perceived it and learn the wisdom they had wrestled from the land. The Language of the Land, the account of his adventure and what he learned, is travel writing at its best.