Burning Crosses and Activist Journalism: Hazel Brannon Smith and the Mississippi Civil Rights Movement celebrates the contributions of the first woman to win a Pulitzer Prize for editorial writing (1964). Owner and publisher of four weekly newspapers in Mississippi, Smith began her journalism career as a states rights Dixiecrat and segregationist, but became an icon for progressive thought on racial and ethnic issues. Though befriended by editors such as Hodding Carter Jr. and Ira B. Harkey Jr., Smith was a target of the White Citizens' Council and was boycotted by advertisers. During the civil rights movement, a cross was burned in her yard and one of her newspaper offices was firebombed. Before her death in 1994, she endured foreclosure, memory loss, and public humiliation, but she never lost faith in journalism or in the power of informed debate.

Journalist Ira Harkey (1918–2006) risked it all when he advocated for James Meredith’s admission to the University of Mississippi as the first African American student in 1962. Preceded by a legal battle that went all the way to the Supreme Court and violent, deadly rioting, Meredith’s admission constituted a pivotal moment in civil rights history. At the time, Harkey was editor of the Chronicle in Pascagoula, Mississippi, where he published pieces in support of Meredith and the integration of Ole Miss. In 1963, Harkey won the Pulitzer Prize for editorial writing after firmly articulating his advocacy of change. Originally published in 1967, this book is Harkey’s memoir of the crisis and what it was like to be a white integrationist editor in fiercely segregationist Mississippi. He recounts conversations with University of Mississippi officials and the Ku Klux Klan’s attempts to intimidate him and muzzle his work. The memoir’s title refers to a burning cross set on the lawn of his home, which occurred in addition to the shot fired at his office. Reprinted for the fifth time, this book features a new introduction by historian William Hustwit.

Birddogs and Tough Old Broads: Women Journalists of Mississippi and a Century of State Politics, 1880s-1980s documents the professional experiences and observations of more than a dozen journalists, all women, all covering Mississippi state politics over the course of a century—from the 1880s, right after the end of Reconstruction (when newspapers were the primary source of information) to the 1980s, a time period marked by steady declines in both news revenue and circulation, and the emergence of corporate journalism, led by media conglomerates like Gannett. Pete Smith argues that the experiences of the women journalists reflect broader social, political, legal, and cultural struggles and changes in both the South and the nation during the late nineteenth and twentieth centuries. The evolution of the modern-day political journalist, particularly for southern women who aspired to such a position, can be seen in their struggles and accomplishments.

Hazel Brannon Smith (1914-1994) stood out as a prominent white newspaper owner in Mississippi before, during, and after the civil rights movement. As early as the mid-1940s, she earned state and national headlines by fighting bootleggers and corrupt politicians. Her career was marked by a progressive ethic, and she wrote almost fifty years of columns with the goal of promoting the health of her community. In the first half of her career, she strongly supported Jim Crow segregation. Yet, in the 1950s, she refused to back the economic intimidation and covert violence of groups such as the Citizens" Council. The subsequent backlash led her to being deemed a social pariah, and the economic pressure bankrupted her once-flourishing newspaper empire in Holmes County. Rejected by the white establishment, she became an ally of the black struggle for social justice. Smith's biography reveals how many historians have miscast white moderates of this period. Her peers considered her a liberal, but her actions revealed the firm limits of white activism in the rural South during the civil rights era. While historians have shown that the civil rights movement emerged mostly from the grass roots, Smith's trajectory was decidedly different. She never fully escaped her white paternalistic sentiments, yet during the 1950s and 1960s she spoke out consistently against racial extremism. This book complicates the narrative of the white media and business people responding to the movement's challenging call for racial justice.

In this volume, Jan Whitt tells the stories of women who have been overlooked in journalism history, offering an important corrective to scholarship that narrowly focuses on the deeds of men like Joseph Pulitzer and William Randolph Hearst. She shows how numerous women broadened the editorial scope of newspapers and journals, transformed women’s professional roles, used journalism as a training ground for major literary works, and led breakthroughs in lesbian and alternative presses. Whitt explores the lives of women reporters who achieved significant historical recognition, such as Ida Tarbell and Ida Wells-Barnett. Investigating the often blurry boundary between journalism and literature, she explains how this fluid distinction has actually limited how many scholars perceive the contributions of authors such as Joan Didion and Susan Orlean. Whitt also highlights the work of important novelists, including Willa Cather, Katherine Anne Porter, and Eudora Welty, to shed light on how their work as journalists informed their highly successful fiction. This study also offers a survey of contributions women have made to the alternative presses, including the environmental press and civil rights activism. Whitt examines important figures in the early feminist press such as Caroline Churchill, editor and reporter for Denver’s Queen Bee, and Betty Wilkins of Kansas City’s Call. Finally, through newsletters, newspapers, magazines, and journals, she traces the history of the lesbian press and points out the ways in which it indicates that the alternative press is thriving.

Friends, Lovers, Co-Workers, and Community analyzes how television narratives form the first decade of the twenty-first century are powerful socializing agents which both define and limit the types of acceptable interpersonal relationships between co-workers, friends, romantic partners, family members, communities, and nations. This book is written by a diverse group of scholars who used a variety of methodological and theoretical approaches to interrogate the ways through which television molds our vision of ourselves as individuals, ourselves as in relationships with others, and ourselves as a part of the world. This book will appeal to scholars of communication studies, cultural studies, media studies, and popular culture studies.

A scholar of Southern literature and culture, Jan Whitt has written a personal narrative about adoption, childhood abuse, and fifty years of searching for her family in rural Appalachia. A testament to the power of love and the resilience of the human spirit, Rain on a Strange Roof unflinchingly explores death and loss at the same time that it celebrates the transformative power of love and literature. An award-winning professor, Whitt teaches courses in American and British literature, literary journalism, media, and women’s studies. Quoting from films, novels, and short stories about the American South, Whitt weaves a narrative about the necessity for human connection and the desire for home.