As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential. Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls. The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.

Featuring interviews and photographs, 'Burning Britain' is the true story of the UK punk scene from 1980 to 1984 told by the bands and labels who created it.

The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point. Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process. More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.

After Britain abolished slavery throughout most of its empire in 1834, Victorians adopted a creed of "anti-slavery" as a vital part of their national identity and sense of moral superiority to other civilizations. The British government used diplomacy, pressure, and violence to suppress the slave trade, while the Royal Navy enforced abolition worldwide and an anxious public debated the true responsibilities of an anti-slavery nation. This crusade was far from altruistic or compassionate, but Richard Huzzey argues that it forged national debates and political culture long after the famous abolitionist campaigns of William Wilberforce and Thomas Clarkson had faded into memory. These anti-slavery passions shaped racist and imperialist prejudices, new forms of coerced labor, and the expansion of colonial possessions.In a sweeping narrative that spans the globe, Freedom Burning explores the intersection of philanthropic, imperial, and economic interests that underlay Britain's anti-slavery zeal— from London to Liberia, the Sudan to South Africa, Canada to the Caribbean, and the British East India Company to the Confederate States of America. Through careful attention to popular culture, official records, and private papers, Huzzey rewrites the history of the British Empire and a century-long effort to end the global trade in human lives.

As heard on BBC Radio 4's Book of the Week. Shortlisted for the Paddy Power Political History Book of the Year Award 2014. In August 1814 the United States' army is defeated in battle by an invading force just outside Washington DC. The US president and his wife have just enough time to pack their belongings and escape from the White House before the enemy enters. The invaders tuck into the dinner they find still sitting on the dining-room table and then set fire to the place. 9/11 was not the first time the heartland of the United States was struck a devastating blow by outsiders. Two centuries earlier, Britain - now America's close friend, then its bitterest enemy - set Washington ablaze before turning its sights to Baltimore. In his compelling narrative style, Peter Snow recounts the fast-changing fortunes of both sides of this extraordinary confrontation, the outcome of which inspired the writing of the 'Star-Spangled Banner', America's national anthem. Using a wealth of material including eyewitness accounts, he also describes the colourful personalities on both sides of these spectacular events: Britain's fiery Admiral Cockburn, the cautious but immensely popular army commander Robert Ross, and sharp-eyed diarists James Scott and George Gleig. On the American side: beleaguered President James Madison, whose young nation is fighting the world's foremost military power, his wife Dolley, a model of courage and determination, military heroes such as Joshua Barney and Sam Smith, and flawed incompetents like Army Chief William Winder and War Secretary John Armstrong. When Britain Burned the White House highlights this unparalleled moment in American history, its far-reaching consequences for both sides and Britain's and America's decision never again to fight each other.

Three times in the last sixty years musical movements have played a vital role in confronting the rise of fascist organisations in Britain - The Stars Campaign for Interracial Friendship in the 1950s, Rock Against Racism in the late 1970s and Love Music Hate Racism in the first two decades of the 21st century. This book is a tribute to those three musical movements and the musicians, activists and youth subcultures that surrounded them, and an in-depth study of the rise of modern fascist movements and the political strategies needed to defeat them.