[A] searing memoir. . . . An enduring, indeed universal, story. Robert Taylor, The Boston Globe Summoned with her mother to Gestapo headquarters in 1943, fourteen-year-old Cordelia Edvardson was given a terrible choice: to acknowledge her secret Jewish heritage and suffer the consequences or to see her mother charged with treason. Burned Child Seeks the Fire is the true story of the love between this mother and daughter, and a piercing example of the tragedies wrought by Nazi Germany. "A lacerating, beautifully translated memoir." Publishers Weekly, starred review "Mesmerizing. . . . [Has] the concise unreality of a horrifying fairy tale." Thomas Frick, Los Angeles Times Book Review "Behind [Edvardson's] deceptively simple prose is a complex and tragic story." Judith Bolton-Fasman, Newsday "Cordelia Edvardson's defiant tone challenges us to eschew simplified encounters with the literature and experiences of Holocaust survivors." Paul H. Hamburg, Jewish Book World "To see the horrors of the Holocaust through a child's eye is to experience hell. Cordelia Edvardson's astonishing story captures, with a terrifying reality, a child's response to the myriad atrocities of the Nazis and their murderous regime. Burned Child Seeks the Fire is compelling, horrifying, poetic in its intensity." Deborah Peifer, Bay Area Reporter

The memoir of a girl who was raised as a Catholic but because she is discovered to be part Jewish, is sent to Auschwitz, where she miraculously survived.

“Boland offers encouragement to women poets of the future. . . . Her vivid imagery will beguile many.”—Publishers Weekly, starred review These inspiring essays from the celebrated poet Eavan Boland are both critical and deeply personal, revealing the adventure, passion, and struggle of becoming a woman poet. In this thematic sequel to her classic Object Lessons, Boland traces her own experiences as a woman, wife, and mother and their effect on her poetry, and she looks to a world where she can change the poetic past as well as the present.

A multifaceted look at historian Raul Hilberg, tracing the evolution of Holocaust research from a marginal subdiscipline into a vital intellectual project. “I would recommend this book to both Holocaust historians and general readers alike. The breadth and depth of Hilberg’s research and his particular insights have not yet been surpassed by any other Holocaust scholar.”—Jewish Libraries News & Reviews Though best known as the author of the landmark 1961 work The Destruction of the European Jews, the historian Raul Hilberg produced a variety of archival research, personal essays, and other works over a career that spanned half a century. The Anatomy of the Holocaust collects some of Hilberg’s most essential and groundbreaking writings―many of them published in obscure journals or otherwise inaccessible to nonspecialists―in a single volume. Supplemented with commentary and notes from Hilberg’s longtime German editor and his biographer. From the Introduction: This selection by the editors from the multitude of his published texts focuses on Hilberg’s intellectual interests as a Holocaust researcher. Among other topics, they deal with the bureaucracy of the Holocaust, the number of victims, the role of the Judenräte(Jewish councils), and the function of the railway and the police in the extermination process. The scholarly impulses extending from Hilberg’s work remain remarkable and virulent almost a decade after his death.2 They deserve to be readily accessible in one place to historians and the interested public in the new compilation offered here. Many of the debates influenced by Hilberg are not yet resolved. The texts presented can be quite revealing in light of these controversies.

Identifying thousands of historical fiction novels, biographies, history trade books, CD-ROMs, and videotapes, these books help you locate resources on world history for students. Each is divided into two sections. In the first part, titles are listed according to grade levels within specific geographic areas and time periods. They are further organized by product type. Both books cover world history from Prehistory and the Ancient World to 54 B.C. to the modern era. Other chapters include Roman Empire to A.D. 476; Europe and the British Isles; Africa and South Africa; Australia, New Zealand, Pacific Islands, and Antarctica; Canada; China; India, Tibet, and Burma; Israel and Arab Countries; Japan; Vietnam, Korea, Cambodia, and Thailand; and South and Central America and the Caribbean. The second section has an annotated bibliography that describes each title and includes publication information and awards. The focus is on books published since 1990, and all have received at l

They are nine women with much in common—all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood. After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausländer, Elisabeth Langgässer, Nelly Sachs, Gertrud Kolmar, Else Lasker-Schüler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time—but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience—of language, of music, and of the human spirit—in the hardest of times.

This book brings together for the first time the works of Jewish authors writing in Swedish, who describe the special circumstances confronting Jews in the twentieth century in Sweden and Scandinavia. During the Second World War, Sweden?s small, long-established, and well-assimilated Jewish community was never subject to the open and ultimately fatal ethnic identification that most European Jews suffered. Older and middle-aged Swedish-born Jewish authors tend to think of themselves only as Swedes. Within the last few decades, however, Sweden has become an immigrant country, and a younger generation writes from a different perspective. Twenty of the twenty-two authors represented in this anthology are still very active, and many of the pieces were written in the last fifteen years. Each work chosen illustrates some aspect of Jewish identity in Sweden, either today or in the course of a century in which Sweden played a crucial, controversially neutral role in a war that had a catastrophic impact on Europe and led to the near-annihilation of the European Jews. This volume provides the complex historical framework in which these events occurred and elucidates the role played by the largest Scandinavian country within it. Contemporary Jewish Writing in Sweden brings together superb work by major writers in one of Europe's foremost national literatures and includes the first English translation of an excerpt from Peter Weiss's recently discovered 1957 Swedish novel.