With over 500 full-color photographs and expert insights provided by leading archaeological authorities, Burmese Design & Architecture is a must-have for serious connoisseurs of architecture, design or Burma itself. It is the first book to showcase the amazing diversity of architecture, design and art found in Burma (Myanmar). Ranging from the monumental pagodas of Pagan (Bagan) to the architectural heritage of Rangoon (Yangon), religious as well as contemporary secular buildings are presented in rich detail. A series of authoritative essays by archaeological experts highlight the major influences and styles found throughout the country, while chapters on Myanmar's rich art and craft traditions provide a wealth of information on Buddha images, lacquerware, painting, ceramics, woodcarving, bronzes, textiles, costumes and much more. Burmese design, heavily influenced by its proximity to China and India, is a many-layered thing, interwoven with spiritual, religious and political messages. Burmese Design & Architecture takes an in-depth look at the entire span of Burmese design, from arts and crafts to both religious and secular architecture.

The architecture in Burma represents a mixture of the country's history, politics, natural assets, religion, and superstition. Despite some recent advances toward modernization, in architectural terms, centuries of relative seclusion have caused this country to remain something of a historical timeline. Burma's resplendent temples, stately colonial edifices, and myriad of structures that comprise innumerable fishing and country villages provide an architectural window into the country's diverse and oftentimes tumultuous history. The turbulence of the region, punctuated by dynastic squabbles, is perhaps best chronicled and understood by way of its architecture. The escalation of successional quarrels frequently resulted in new rulers packing up entire palaces and other structures and hauling these by elephant to establish a new seat of government or capital elsewhere. The vestiges of the old cities were for the most part simply left to the vicissitudes of nature.

Myanmar Style is the first book to encompass the amazing diversity of architecture, design, and arts and crafts in Myanmar. Ranging from the monumental pagodas of Bagan (Pagan) to contemporary Yangon (Rangoon), both religious and secular buildings are presented in extraordinary detail. Buddha images, lacquerware, paintings, ceramics, wood carvings, bronzes, textiles, costumes and other arts are illustrated, with countless examples of superb objets d'art. Written by the region's authorities on design, art and archaeology, Myanmar Style's text offers readers a fascinating glimpse into an alluring land.

Architectural Guide Yangon presents around one hundred memorable buildings from Myanmar's historical capital. Following decades of international isolation, the city's vast heritage remains largely, surprisingly and spectacularly intact. Rangoon - as it was known under the British - was a melting pot of British India. Vivid traces of this legacy are everywhere, especially in the city's Buddhist, Christian, Hindu, Jewish and Muslim houses of worship that often stand side by side, down town, in Yangon's tightly-gridded streets. Since the country's independence from the British in 1948, successive authoritarian regimes have also stamped the cityscape with their legacies. Today Yangon is a bustling and busy city in flux, at the frontier of Myanmar's rapid opening to the wider world. Yangon's urban fabric deserves a systematic guide that nourishes every visitor and resident's shared fascination for the city and its history, offering countless anecdotes and notes on architectural detail.

The architecture in Burma represents a mixture of the country's history, politics, natural assets, religion, and superstition. Despite some recent advances toward modernization, in architectural terms, centuries of relative seclusion have caused this country to remain something of a historical timeline. Burma's resplendent temples, stately colonial edifices, and myriad of structures that comprise innumerable fishing and country villages provide an architectural window into the country's diverse and oftentimes tumultuous history. The turbulence of the region, punctuated by dynastic squabbles, is perhaps best chronicled and understood by way of its architecture. The escalation of successional quarrels frequently resulted in new rulers packing up entire palaces and other structures and hauling these by elephant to establish a new seat of government or capital elsewhere. The vestiges of the old cities were for the most part simply left to the vicissitudes of nature.

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.